Posted on March 25th, 2012 5 comments
Notre Dame High School Campus
320 East Ripa Ave, South St. Louis County, MO
Just a tad north of Jefferson Barracks Historical Park in South St. Louis County, on a bluff overlooking the Mississippi River, is the campus of Notre Dame High School. This all-girl Catholic school is also a fascinating flip book of architectural styles.
Here’s a shot that distills the essence of the Notre Dame aesthetic experience: to the right is the original School Sisters of Notre Dame house opened in 1897 and a sampling of its expansion in the mid-20th century. Previous to this moment, I knew nothing about the Notre Dame school, but the story of its endurance and might was easy to read in the buildings on its campus.
Courtesy of Bing, we get a bird’s eye breakdown of the Notre Dame campus, to which I’ve mapped out the years of its expansion.
As it is approached from its main entrance on East Ripa, you first see the L-shaped high school erected in 1955. It presents a staid appearance with its brick and glass block, even evoking a 1940s institutional feel.
The building finally cuts loose at the main entrance, opening up and soaring for a bit. It feels like a conscious concession to the more overtly modern geometry of the gymnasium it connects to.
A quick peek inside the entrance reveals terrazzo flooring and quintessential MCM metal stair railings, and overall has the lightness of the building it connects to.
The gymnasium was built 2 years before the high school, and it’s interesting that sports came before a high school, proper. The gym itself has a rounded roof resting on concrete pillars, which are filled in with glass block. The entrance has the light, overtly modern airiness of the early 1950s. See the very first photo above to see the whimsical font on the building’s corner stone – it feels like the opening credits to a Doris Day movie. Considering the spiritual and educational gravity of the place, it seems a bit cheeky. But I love it.
And this is also where you get the first juxtaposition of post-war modernism abutted to 19th century classicism. I love how the canopy lightly abuts the stone of the Sister School, and how a different bond and color of brick coordinates but refuses to imitate. It was a new era, and they embraced it, but in a respectful way.
But come the dawn of the 1960s, the surge of high school-age Baby Boomers swelling the attendance, the school needed even more room, and it was time to make a big, bold architectural statement. Aqua metal panels, steel and glass zoom out of the past and into the future, literally creating a bridge to…
…the thoroughly modern quadrant of the campus.
It’s now 1961, and the performing/ fine arts, administrative and pre-school needs of Notre Dame are downright giddy with color, form and materials. If not for that gorgeous, minimalist cross (above), you’d think this was any mighty corporate campus flush with post-war money and optimism.
But the religious intent of the campus is expertly applied in small details throughout, like this glass tile mosaic above an entrance.
A peak inside this entrance shows that, like the high school, the original fabric is still fully intact. And look at that chair! Are there more of these original chairs throughout the building? I am so impressed with how well-preserved and still-functional everything is, like the know what they have and love it!
Though there is one slightly disturbing thing happening right now. The originally-aqua metal panels are currently being painted white on this end of the campus.
Here’s another juxtaposition of old and “new,” and you can see how the white-coating is removing the joyousness from the MCM portions personality. The metal panels all appear to be in near-mint condition, so is this a purely cosmetic decision on the administration’s part?
I would like to know why they’ve decided to now go bland after 50 years of aqua. White-washing seems like something they’d have done in the late ’80s/early ’90s, when everyone was trying to stamp out a dated look. Yet Notre Dame let it be, and as you can see…
… it’s truly a thing of beauty. It should also be noted that blue and white are their sports colors, so that aqua was chosen for a good reason back in 1960.
Imagine this vista once the aqua is gone; it will no longer sing, just merely hum. Much like those window AC units. Which may be why so much original fabric remains – they’ve yet to renovate for central air.
At Romana Hall, on the northern-most edge of the campus, the metal panels are a different color (and I love how the canvas awning was made to match perfectly), so does this mean this was painted over at some point, as well?
I would love to know the story of the Notre Dame campus expansion. Who were the architects and administrators who worked together to create all these wonderful new buildings? Who has had the long-range vision over all the following decades to lovingly curate and maintain a century’s worth of architecture? And does this glorious patchwork quilt of a campus inspire its students to be as curious about Notre Dame’s past as those of us who chance upon it?
Posted on April 29th, 2010 5 comments
Vasel & Pavia Avenues
This is the cutest damn thing I’ve seen all year! It reminds me of a Liddle Kiddles playhouse!
I love Quonsets. Love saying the word, love spotting them across the American landscape (especially the double or triple runs), love the way they look and love how endlessly adaptable and durable they have proven to be.
The Quonsets usually get repurposed as utility or storage buildings, in both urban and rural areas. This is the first time I’ve seen one repurposed as a cottage… and in Affton of all places. That’s just The Best!
But the St. Louis County property records feel a bit intolerant about this Quonset house. Their records show it’s from 1947, 756 s.f. with two bedrooms and a full basement. And then they list the style as Colonial.
As if giving it another name will erase its essence?
Never. The Quonset will not be denied. All hail the Affton Quonset House!
Mascoutah, IL Quonset
Posted on March 4th, 2010 No comments
Mackenzie & Gravois
My favorite indicator that Spring is truly here?
When the ‘ole fashion Dairy Queen in Affton opens for delicious business!
Posted on August 1st, 2009 21 comments
West Ripa & Conn Avenues
South County St. Louis, MO
It was an idle cruise on a summer day, heading up West Ripa Avenue between Telegraph and South Broadway, when the sight above hovered into view. In and of itself, an arresting sight, but in the context of dense rows of tiny, 1920s bungalows, it was outright alien. What is it?
It is the gymnasium for the Hancock School complex, also known as the Tiger Dome. It floats like an extraterrestrial among a sea of much newer, post-modern buildings, and because the campus was so shiny penny clean and new, I wondered if the gymnasium was also new, but built to look like The Jetsons.
Venturing in under a canopy that thrusts its tentacles to the concrete walk ringing the circular gym, it was clear it was an older building. No one would spend the time or money to construct something like this today, especially an old, established school district tucked into a confined space within an established neighborhood.
The E.T. gymnasium was built in 1964, and the rest of the campus was revamped in 1996, which was a major undertaking that required voter approval for increased taxes to fund such a major project. What amazes me is that the gym survived ! It sits almost dead center in the campus, and you know it required all kinds of special planning to make the new buildings rotate around it, or butt right up against it. In most cases, this building would have been sacrificed to the gods of progress, demolished without a second thought. Yet it – and its smokestack – still stands.
The roof’s wooden frame would require regular patch and paint maintenance, as would the roof itself, which is brighter than freshly laundered tennis whites. The deep eaves are ultra inviting to birds, so pigeon poop is a major issue. You know the custodians know these things, and deal with it constantly, yet they opted to keep the alien gymnasium! It fills a heart with gladness, it really does. Go Tigers!
If any of you know the story about why this alien, mid-century modern gym was spared during a major remodel, please do share the story with us.
Posted on July 13th, 2009 5 comments
Theiss Road, South St. Louis County, MO
While discovering a new neighborhood in South St. Louis County, I ran across the above scene in a 90-degree curve on Theiss Road. A large front yard thoroughly festooned with thousands of magenta, pink, red and white petunias. It was such a gorgeously florid display that I nearly crashed the car!
I even did a U-turn to go back and take it all in again, which is when I noticed the gardener tending to his beds. He was tall, thin and suntanned, with a wide-brimmed straw hat against the sun, and he and his flowers were breathtaking in the most poetic way possible.
From the limited view I could gulp down while driving, I wondered if the beds were in particular shapes. An aerial view of the home (obviously taken off-season) shows a distinct heart-shaped bed, which just melts the heart, and also shows how extensive his work is. He has obviously cultivated these beds for several years, and all petunias. That dedication to one flower over such a wide swath of ground spins all kinds of imagined romantic yarns.
An overwhelmingly lovely sight like this surely brings gawkers into his drive way, as there’s no shoulder or sidewalks along this road. And it’s such a vivid sight that it must elicit enthusiastic responses. But in the two brief moments that I entered his world, I could not bring myself to invade the peace and contentment his body language conveyed. It was more than enough that the time, love and care he puts into these gardens for himself also enriches everyone who drives (or flies) by.
If you ever need an enchanting break from reality, do cruise Theiss until you find this minature wonderland, and if any of you know this man or his story, please do share.
Posted on July 4th, 2009 7 comments
The July/August issue of St. Louis At Home lists an LV Home for sale in… South County? How odd, but very cool. Even cooler: it’s the only LV Home built in the St. Louis area and one of the few to be built atop a full basement (the majority are built atop concrete slab on grade), which doubles the size of this kit home to nearly 3,000 square feet. I exceeded all speed limits in a hurry to see an LV so close to home.
Summer 2004 is when I originally saw the LV display home in Perryville, MO, on assignment for a now-defunct design magazine to interview the LV creator and architect Rocio Romero. After a scenic drive through deep rural country, it was pleasantly jarring to see an ultra-modern metal box standing alone at the start of a farmer’s field. It appeared to be floating over a random, ironic site, and this urban/rural juxtaposition created a light tension.
Inside, the house felt spacious, sturdy and serene. The back wall of the house was a continuous series of floor-to-ceiling windows, which flooded the spaces with glorious amounts of natural light. The display home was the perfect size for two people, but the kits can be built to any custom size, so the possibilities for accommodating a family of any size was immediately apparent. The LV was sophisticated, casual and enchanting. The architect was passionate, industrious and detail-oriented. Altogether, it was a great concept cleverly executed and it was easy to understand why sales of the kits were on the upswing. Over the years, a cover feature in dwell helped spread the word, and it’s exciting to imagine this design dotting landscapes all over America.
Most everyone I know who has toured the LV display shares this observation: all the windows are great, and it makes total sense on an isolated lot, but could you insert it into a typical urban or suburban lot and keep a decent level of privacy? Would you wind up ruining the aesthetic by covering most of the windows with drapes to keep neighbors on 3 sides from knowing your business?
This is why I needed to see the South St. Louis County LV: how does it function in established suburbia?
It functions very well. Yes, it does immediately stand out from its surroundings, but within the context of the neighborhood it’s surprising rather than jarring. Plus, the homes along this stretch of Theiss Road come in a wide variety of architectural styles, so the LV is just another flavor. The galvanized aluminum can make it a bright flavor at certain times of day, but it’s not fussy or flashy. Initially, the immediate neighbors were skeptical as they watched it going up, but now they love and accept it as a normal part of the landscape, so the LV adapts very well to denser surroundings.
I learned this important piece of information because the homeowners – Joe and Jeanne Marie Spezia – were kind enough to give me a tour. They love their home and are rightfully proud of it, and are comfortable with the attention it brings. Their decision to build one was included in a cover feature about Romero in a 2007 issue of At Home, and in June 2009 was featured in both St. Louis Homes & Lifestyles and on the front page of South County Times newspaper.
Because the Spezia’s love living here, the home is not officially for sale, but if someone were to come along and pay the right price, they’d seriously consider it. Until then, the LV has become the unique template for expressing who they are and how they choose to live.
The place expresses an immediate and vibrant personality courtesy of the creative mind of Jeanne Marie, whose re-purposing aesthetic and mosaic art punctuates every room of the house. Her studio is in the basement, and you can see more of her work here, as well as in these pictures of their home.
The couple designed a unique back patio, whose half-wall is made of metal roofing straight off the Lowe’s shelves. Actually, many significant features of the home come from Lowe’s (like the foyer light fixture, below), which proves two things:
1. It’s not what you use, but how you use it
2. Limited budgets create imaginative solutions
And budget rapidly became a huge issue for the homeowners. Their house-building adventure wound up costing far more than anticipated because of an endless string of complications. But most everyone who has been through a custom home build has a similar list of complaints and complications without achieving such a spectacular end result.
Joe Spezia enthusiasticly pointed out every structural aspect of the house that makes it so exceptional: money-saving energy efficiency, 12″ thick vertical steel beams that make the place earthquake-proof (he jumped hard on the living room floor to illustrate that there is no vibrations, no movement), perfectly plumb surfaces and extra-thick walls and floors that effectively soundproof the house from the outside as well as create privacy inside.
For instance, Joe is a licensed massage therapist with a huge and relaxing studio space for his practice in the basement of this home. He recalls a time when, after clients had left, his wife asked if working in her studio next door with the TV on had bothered them. Joe replied that they heard nothing and he didn’t even realize she was down there. That’s how thick and insulated all the walls are.
The large master bedroom (above) has an equally large bathroom with the most gorgeous clear, green glass tile walls, a bathtub you could swim laps in and a walk-in closet bigger than most bathrooms!
The entire home is about natural flow of space creating instinctive comfort, and even more so than experiencing the original LV display home, it conjured within me the intense desire to live in this home, exactly as it is. But the mercurial mind of an artist like Jeanne Marie is constantly changing things up and she is seriously considering removing the metal siding on the exterior of the home and replacing it with cedar.
Initially, I was a bit shocked at this idea, but then I saw this photo of another LV Home that went with wood instead of metal, and it looks great. Which just goes to show two things:
1. Artists “see” things that the rest of us can’t
2. The very nature of the LV allows one to exactly create the home you see in your head.
Posted on June 8th, 2009 10 comments
Bayless & Ruprecht Avenues in Bella Villa
South St. Louis County, MO
I love this house, though I don’t get to see it as much as I’d like because of where it’s located.
The tiny, St. Louis County inner-ring suburb of Bella Villa has a reputation much larger than its population of roughly 700 residents. It’s a notorious speed trap, with 59% of its 2005 municipal budget coming from traffic tickets. And though I don’t typically drive crazy fast while gawking at scenery, it does conjure abrupt stops and lane changes for the sake of a photo, and that’s enough to get pulled over and ticketed in Bella Villa.
On the afternoon I took these photos a cop seemed to magically appear from nowhere and pulled someone over. I kept that business out of the left side of the frame in the photo above. Even though I was relatively safe being on foot, all the horror stories heard over the years ran through the memory bank, and I slowly slinked away to my car parked around the corner.
Ah yes, the house itself! It was built in 1938, and the houses right around it on this end of the block all range from 1938-1940. It’s vaguely art deco and reminds me of some of the places Harris Armstrong was designing around the same time – like this or maybe this.
I also love the Lego look and feel of the house, especially in the way the garage, front steps and entry are attached to the main house. Also, the house is nicely situated atop a hill, so has the added drama of a stone wall on the side, and a nice high perch from which to watch the speed trap below.
Posted on July 15th, 2007 3 comments
Sylvan Springs Park, South St. Louis County
Whenever Rob Powers is in town, we usually find something new and wonderful. This time, by simply turning down a street I’d never been on before, we saw the above sight.
My first impression was a quintessential drive-in concession stand plopped into a bucolic setting. Sylvan Springs Park is across from a back entrance to the Jefferson Barracks cemetery on Sappington Barracks Road. The reason Ordnance Shelter resembles drive-in architecture is because it was built in 1955.
The concession stand at the rear of the building is boarded up, but the rest of the shelter is business as usual, with a family (who were very cool about us taking tons of pictures) picnic taking place while we were there.
Ordnance Shelter looks out on a courtyard with short stone walls and small stage, lending the entire setting a quaint Jellystone Park vibe. While I circled the building in blissful disbelief, Powers – who is a working architect – was able to note that the building was in need of some serious repairs. This immediately brings up the fear that rather than repair it, the parks system will simply tear it down. This fear is compounded by the jinx I carry with me: if it’s a great example of mid-century modern still in use and I love it and photograph it, it will come down.
Some quick internet research shows that a skateboard park is planned for a spot north of Ordnance Shelter. I’m asking for the same thing at Carondelet Park, so it’s thrilling to know someone else had – and acted on – the idea. A 2003 Master Plan shows several suggestions for revamping the park, with most plans leaving this shelter standing. But one of slides shows it, too, being revamped slightly. So, fingers are crossed that its essential spirit remains unbroken.