Northland and River Roads at Coloring STL

The coloring book for the Coloring STL exhibit at the Missouri History Museum. You need this in your life!

The Coloring STL exhibit at the Missouri History Museum is the most amazing thing! St. Louis architecture becomes living, interactive history for everyone. No daunting architectural academia – it’s hands-on colors, shapes and memories of our shared city.

Among all that building goodness, Andrew Wanko, Public Historian, and The Missouri Historical Society invited me to be a part of it!

The “Funeral for a Shopping Mall” wall at the Coloring STL exhibit. It’s the capsule story and artifacts of Northland Shopping Center. I’m still stunned that this even happened!

I’m still gleefully stunned that obsessive documentation of the demise of Northland Shopping Center in 2005 culminates in 2022 as a wall inside Coloring STL.

This is the Northland story that put me on the museum’s radar.

The Coloring STL display of tiles that were once on the Stix, Baer & Fuller building at River Roads Mall in Jennings, MO. So gorgeous!

They also became interested in my pieces from the Stix. Baer & Fuller building at the late River Roads Shopping Center.

A story of the River Roads Mall artifacts.

Toby Weiss in front of River Roads salvage she carted off in 2007.

Thank you to Gina Dill-Thebeau for this photo of me and the River Roads building tiles. They are even more gorgeous all cleaned up and polished by the Missouri Historical Society team. Thank you!

A pair of Jennings, Missouri mid-century modern shopping malls were extinct and expendable in less than 50 years’ time. During their demolition, preserving pieces of these discarded buildings resonated with a handful of fellow St. Louis MCM architecture superfans. But why would anyone else care about these dead malls – retail is not history, right?

Turns out, Northland & River Roads are historically worthy! What seemed like a personal and emotional architectural project has bigger significance. I am thankful and gobsmacked.

Want to know more about this improbable, fantastical journey the Missouri Historical Society took me on? Then read on.

“Wondering If You Had Any Artifacts?”

The MO History Museum staff doing the measure and photo of the Northland and River Roads artificats they wanted to use in the upcoming Coloring STL exhibit, June 2021.

June 2021: Andrew and Emily are in the backyard taking measurements and photos of the Northland & River Roads pieces they want to use for the upcoming Coloring STL exhibit.

MARCH 2021 – an email arrives from Andrew Wanko, who reveals he and his team are working on a new museum exhibit that:

“…will be a celebration and exploration of St. Louis architecture, with the main draw being that we’ll have huge expanses of dry erase wallpaper with factoid-heavy illustrations of more than 50 local buildings that people can color. We’ll also be featuring more than 50 local architectural artifacts ranging from a 10-foot-tall set of 1870s doors from the riverfront’s Merchant’s Exchange Building to original Louis Sullivan terra cotta, to early 1900s residential stained glass.  

“We’re currently trying to find a couple more artifacts to help expand the story of our architectural heritage… to get some midcentury modern pieces included on display as well. I was wondering if you happened to have any artifacts that you might be willing to loan for display?”

I pitched Andrew my artifacts from Northland Shopping Center and River Roads. The reply email included links to B.E.L.T. posts about them, snapshots of the pieces still in my possession, and hi-res photos of where they originally “lived “ before the demolition separation.

JUNE 2021 – after much enthusiastic back and forth, Andrew and museum designer Emily came out to measure and photograph the Northland and River Roads pieces they potentially wanted for display in the Coloring STL exhibit.

At this moment, I was fresh off 6 months of hospice care, ushering two parents onto the great beyond. So Andrew and Emily in the backyard all enthusiastic and scientific about these sentimental pieces dragged out of demolition sites 15+ years ago was life-affirming therapy.

Turns out, Andrew kinda already knew what artifacts I had because he had been a reader of B.E.L.T. since his college years. Turns out he was a fan of all of us first-generation St. Louis architecture bloggers from the 2000s, like Ecology of Absence, Urban Review Saint Louis, Vanishing StL and Saint Louis Patina. He genuinely loved and devoured all this information and was now able to turn that architectural passion into an adventurous and unique exhibit on St. Louis architecture history.

As Andrew and I gushed about StL architecture and the upcoming St. Louis Sound exhibit, Emily photographed and measured all these dirty, dusty building pieces I’d been carting around since 2005. I felt bad about all the cobwebs and soil she had to work around.

It was a great day in so many ways but it also felt surreal. While elated it was happening, I could not wrap my head around any of these things being something the museum-going population would want to see. But they obviously have a higher vision, so let’s look in that direction with them.

The Missouri Historical Society picking up artifacts from Northland and River Roads for the Coloring STL exhibit.

December 2021: Emily and Carrie, from the Missouri Historical Society, come back to take final inventory of the pieces they will use. A very surreal experience.

DECEMBER 2021 – An email comes from Carlie, Exhibits Registrar of the Missouri History Museum. They’d like to schedule a date to pick up the Northland and River Roads pieces, so our mount maker can begin fabricating exhibit mounts for the artifacts.” Whoa!

She also asked if I’d like them to bring packing materials.
That question made me chuckle. The stuff was still sitting in a metal garden shed, still dusty and dirty. They’d been schlepped around in milk crates and car trunks for over a decade, and she’s asking about protective packing materials? Wow!

Packing and loading Northland and River Roads architecture into the Missouri Historical Society van. Part of the Coloring STL exhibit.

As they lovingly packed and left with my architectural salvage, the waterworks unleashed. It was overwhelming that 18 years later, these pieces mattered to official historians! I’m still wrapping my head around it.

Carlie and Emily arrive, they take inventory, and then methodically, lovingly pack and load my Northland and River Roads pieces into the Missouri Historical Society van. That photo above is the precise moment tears started rolling down my face.

Like a film montage, I saw images of myself in 2005 and 2007, illegally climbing up, over, and into demolition sites to take photos and carting off what I could manage so there was something to remember them by. One particularly memorable day: Standing atop the rubble of Northland Shopping Center that only made it to 50 years old on the day of my 40th birthday. Thinking to myself: “American obsolescence grows ever shorter…” and then arriving at a surprise birthday party covered in Northland demolition dust.

It was a memorable and heartfelt pleasure when someone joined and helped me on these adventures (some of them documented here). But I was determined to document the demise weekly, so it was mostly my haunted ass crawling through rubble with a few tools and a camera, without a phone or safety plan. Today I marvel at how risky my younger self was, and how lucky I was not to wind up in a Richard Nickel situation.

These scavenger adventures would become blog posts, like when the River Roads pieces were re-purposed as garden borders. That’s all there was to keep those places “alive.” I also understood that in the big scheme of things, my infatuation with dead MCM malls was a sidebar for a select audience, which was cool while it lasted.

UNTIL THIS MOMENT, when the Missouri frickin’ History Museum is lovingly packing them up for an exhibit?!?!?! I never BELIEVED these things would have any importance even though I WISHED they would. And suddenly, they did? This is why tears of gratitude and disbelief were rollin’ as the History Ladies packed up and drove away with Northland and River Roads in their van.

Coloring STL is Awesome!

Toby Weiss in front of the Northland Shopping Center exhibit at Coloring STL.

Thank you to Amy Burger for this photo of myself completely overwhelmed and grateful in front of the Northland Shopping Center portion of the Coloring STL exhibit.

AUGUST 2022 – 8 months after the artifacts left, the museum staff created Coloring STL magic. The mid-August night we got a sneak preview of the exhibit was way too much fun. And way too overwhelming once I saw “A Funeral for a Shopping Mall.”

18 years after documenting and salvaging some of the history of a shopping center, it sits in a museum. After all the years of thinking it didn’t matter, it somehow does. Based on comments overheard from people who stopped to look at the Northland wall, it was a “town square” gathering spot. A sense of place is conjured when they look at things as simple as parking reminders or Bakers Shoes’ door handles. Generations of us had this one place in common, and even though it’s gone, a few tangible pieces can bring it back for just a moment.

Detail of the Northland Shopping Center wall at the Coloring STL exhibit.

It was a touching surprise that they included a selfie of me holding a Kresge’s piece that was a bear to yank off the wall. Even lost my favorite flat-head screwdriver because of it. Kresge’s was my childhood heaven and I’m grateful to have tangible reminders of a perfect place in time.

Andrew Wako and his supremely talented team found contextual meaning in Northland Shopping Center and crafted a handsome way to convey it. I was always too emotional about the topic, while they have big, historian/artisan brains and know how to tell a long tale with many chapters. I am overwhelmed and deeply honored they spent time and effort to tell a Northland story.

And their idea on how to display the River Roads artifacts?! The cleaned and polished pieces pop out in 3D from a whimsical re-creation of the ground they once were part of. That’s some creative genius, right there, and I adore them for it!

Coloring STL wall illustration of the mid-town Flying Saucer by Rori!

The Flying Saucer is one of the 50 illustrations by Rori! that we can color. And it’s a special thrill that this building is still with us, thanks to all the mid-century modern preservation efforts.

Which now brings us to the rest of the Coloring STL exhibit!

50 illustrations by Rori, blown up large on dry-erase walls (or that coloring book – grab one!). 16 dry-erase marker colors to choose from. And best of all, no one is shy! People of all ages and backgrounds are coloring on the buildings, adding notes, thoughts, and personal remembrances in the most clever and impressive ways. I know the staff has to erase these walls on a regular basis, but I wish there were a way to keep a record of everything we felt and expressed while communing with markers on a beloved structure.

The exhibit covers a broad time span of St. Louis architecture in a precise and compelling way. But what I love the most about Coloring STL is how they bring HUMANITY and JOY to architecture education and admiration.

Coloring STL illustration of the Railway Exchange Building by Rori.

I spent 12 glorious years inside the Railway Exchange building with the Famous-Barr advertising department. So it was cool to add my 2cents to the coloring wall.

Among the 50 buildings for your coloring enjoyment, you will surely find one that pulls at sentimental, emotional strings. You may feel compelled to add a color or a thought to it, and you must. It feels GREAT!

Coloring STL is the perfect illustration of how architecture is, ultimately, about the buildings people use. What is the point of making a structure if not to be used? In the end, how people feel about and remember these buildings carries on longer than some of them existed.

Illustration of The Arena by Rori, inside the Coloring STL exhibit at the Missouri History Museum.

It is heartwarming and hilarious to see what notes and memories people add to the building illustrations. Like with the gone but never forgotten Arena, folks noting their favorite shows? Priceless!

Personally, there is something very familiar about the SPIRIT of this exhibit. From the B.E.L.T. “About” page:

“You don’t need an architecture degree to know the built environment, just a set of eyes to observe with.

We live in and use the built environment every day, yet we’re too often hesitant to speak up lest we sound stupid…. to architectural academics who don’t live in your world? Please.

Let’s talk about buildings and spaces in a language we all understand. Let’s really see what’s around us rather than look. Let’s accidentally pick up some useful information along the way.”

Coloring STL invites you to pick up a marker and add your story to St. Louis history. Accidentally or intentionally, you will walk away with a new and scintillating perspective on how unique and inspiring our city is.

I send my deepest thanks and admiration to everyone on the Coloring STL team who included my artifacts as a small part of a greater story. I am honored and jazzed to be included. Your exhibit is totally kick-ass!

Documentary Sneak Peek: Mid-Century Modern in St. Louis

Do you love St. Louis MCM? Then watch the first 7-minutes of the February 17, 2020 edition of Living St. Louis on The Nine Network.

I am beyond excited and deeply honored to have been a part of this documentary project. We filmed the talking head portion in January 2019, and I supplied them with requested photos from my personal archive throughout the rest of the year. What buildings they asked me for photos of was the tip-off that their documentary was going to be phenomenal!

It is with lingering happiness that I recall the St. Louis Modern exhibit at St. Louis Art Museum because it was the first time an StL cultural institution spent time and money on celebrating mid-century modern architecture and design in St. Louis.

But let’s be honest: you will only ever get a small percentage of people to go to our art museum. Whereas hundreds of thousands of people see the wonderful documentaries on KETC Channel 9. So this means we have the potential for tons of folk who don’t think they care about StL MCM suddenly being jazzed and inspired by it. My Pollyanna view is that the more that people care, the more MCM buildings that are preserved.

Mid-Century Modern in St. Louis from The Nine Network

From the Living St. Louis sneak preview of the full-length documentary, it’s a blast to see the producers connecting with architectural expert Esley Hamilton, lifelong ModernSTL members Neil Chace and Nathan Wilber and – best of all – conversation with architect Dick Henmi about his Flying Saucer (with a fast shout-out to Northland Shopping Center, for which he was the principal architect back in 1955).

In 7 minutes they did a masterful job of connecting threads and hitting highlights of why this style of architecture matters – then and now. To say I’m looking forward to seeing the entire documentary takes deadpan to new levels.

Frank Lloyd Wright: Crappy Architect, Great Artist

Frank Lloyd Wright Pappas House, St. Louis MO. Photo by Toby Weiss

Frank Lloyd Wright is an architectural giant. We all know as much about him as we want to, and even a disinterested person knows who he is and why he matters. But I think he matters for the wrong reason. I will conclude this piece with 5 points to make the case.

The following views were conjured by the Frank Lloyd Wright house currently for sale in St. Louis, MO. As I took these photos of the place, I felt kind of bad that the family is enmeshed in #4 of the 5 Points of Wright.

Evidence of a Crappy Architect

A Google search gives you more evidence of Wright being a crappy architect than you may have time to read. So let’s do just a few bullet points to verify this claim:

• Wright’s most acclaimed work is Falling Water, which the owner referred to as Rising Mildew. This piece neatly lays out some of the problems with the architect and the construction, which led to an $8 million restoration.

• From Architecture magazine, November 1989: “Leaks are a given in any Wright house. Indeed, the architect has been notorious not only for his leaks but his flippant dismissals of clients’ complaint. He reportedly asserted that, ‘If the roof doesn’t leak, the architect hasn’t been creative enough.’”

This is a good laundry list of 7 things Wright got wrong about design. Which concludes the same way as most articles about his architectural ineptitude do: “genius justified his design mistakes.”

Pappas House in St. Louis MO by Frank Lloyd Wright

Evidence of a Pioneering Artiste

When reading about the engineering defects and customer complaints of Wright-designed residences, I can’t shake the image of a pretentious artiste abusing the largess of monied patrons who are willing to tolerate such behavior in hopes that their lives will reflect the golden light of artistic genius. This is a commonly accepted personality trait of Great Artists.

Architecture is most certainly an art, but one with inherent limitations because it’s about making structures that people use and depend on. The artistic aspirations of a building must successfully meld with the client’s intended function and the builders’ ability to construct it firmly and accurately (also known as the Vitruvian triad of beauty, commodity and firmness).

Creating a building is much like shooting a film with the architect as director. This cooperative concept was better described by the professor (and inspiring analytical thinker) Witold Rybczynski in his book Looking Around:

“…a building exists not solely as a vehicle for the skills or expression of the architect but as an object with a function… This prevents the architect from developing what is usually the hallmark of an artist: a consistent personal style. Or, at least it should.”

A large percentage of Wright’s visionary reputation centers on complete control of every design detail. The concerns and needs of his clients and builders were ignored and treated like the football a boy threatens to take back if his pals won’t let him be full-time quarterback.

His art was the most important concern and his contempt for the residents who would live in the piece was palpable. His patrons were hypnotized into overlooking the practical failings of their home for the sake of great art.

Wright achieved artistic perfection despite the pesky requirements of owners; he proved that architecture could exist as an uncompromised high art, divorced from the practicality that had previously accompanied it for centuries. This is a revolutionary, pioneering concept.

The architectural community tends to side with the artistic brilliance of Wright. His vision altered the celebrity and prestige of the profession. To subsequent generations of architects, his technical failings hardly matter because: artistic brilliance. Yet, every architect in his wake will never get away lawsuit-free with the structural crap that Wright pulled off because they don’t lean into the obvious: Frank Lloyd Wright was not an architect. He was a great artist.

Detail of Frank Lloyd Wright Pappas House

5 Points of Wright: Crappy Architect, Brilliant Artist

With all humility (i.e., I don’t have an architectural or art degree!), I’m requesting a reclassification of Frank Lloyd Wright from Great Architect to The Greatest Artist of the 20th Century. My case is based on these 5 points:

1. He forever changed the rules and boundaries of a classical art form.

He didn’t let the limitations of the ancient craft of architecture reign in his creativity. The architecture was merely a springboard to hurl him over the boundaries and onto a new plain. If great art inspires others to explore further and forge new paths of expression, he qualifies just from the hordes of architects who have followed in his steps.

2. He created revolutionary art with new materials.

Rather than pencil, paint, stone or clay, he used life-sized three-dimensional building materials. Paper or canvas was not the proper place for realizing his ideals; only mixed media could bring his vision to light. The frames for his work measure thousands of square feet mounted directly to the earth, and no one since has been able to use his medium with such assurance and unrestricted creativity.

3. He designed and built his own art galleries.

Not only did he get funding to create amazing pieces that were arranged in powerful installations, but he also designed the perfect buildings to show them in. Many patrons pushed the bounds of propriety by living in his galleries, but they usually came to their senses and vacated before mussing the essence of his work.

4. His galleries become museums.

After removing their personal belongings, patrons usually transfer these galleries to foundations who turn them into museums dedicated to preserving his art for the delight and education of present and future generations. That we are able to view his works in their entirety, and that they continue to profoundly move us, proves the museum designations a sound decision. Also, 9 times out of 10, it’s impossible to treat these homes as a regular house sale. No realtor wants to deal with the consequences of social media outrage by letting a Wright be sold as a teardown.

5. The opportunity to own any of his works is increasingly rare and expensive.

Wright was insistent that every piece of his work remained as it was designed. To get rid of a table or a light fixture was akin to chopping a toe off Michelangelo’s David. People have accepted this as a wise artistic decision and break their bank accounts to leave everything intact. But when the foolish do let go of individual pieces, they are snapped up by wealthy people who covet them as exceptional works of art. That the pieces retain their beauty and power when removed from the original context is testament to his clarity of vision and mastery of design. A person who owns a Wright piece then displays them as one would any important fine art object. Company would never be allowed to sit in one of his chairs or walk across one of his rugs. That would be as preposterous as using the Mona Lisa as a bulletin board.

These are towering artistic achievements that make Andy Warhol’s pop culture statements look like birthday candles on a cupcake. Analyzing Frank Lloyd Wright from a fine art point of view places him firmly in the pantheon of centuries of great artists, and with no serious competition for title of The Greatest Artist of the 20th Century.

St. Louis Addendum

Frank Lloyd Wright did two homes in St. Louis, Missouri. One of them is already a museum. As of 2018, the other is technically for sale. But the details of point #4 above are in play; the effort is toward turning it into a museum.

Speculating on the St. Louis City/County Merger Ballot Issue

collateral damage podcast st louis city county merger

By the end of January 2019, Better Together St. Louis is scheduled to release their proposal to put the merger of St. Louis City and County on the 2020 ballot for a statewide Missouri vote.

On January 16, 219, D.J. Wilson, host of the KDHX podcast Collateral Damage, invited Byron Kerman and me to talk through the pros and cons of a City/County merger, in general. We also speculate on the motivations of the billionaire bankrolling this initiative as well as the entities who have already expressed their support. We may have unwittingly uncovered their primary intent.

Listen to this episode of Collateral Damage.

Once the Better Together STL proposal is released and the debates begin in local (and social) media and private conversations, it will be fascinating to hear the arguments and concerns, and what those who fall on either side have in common.

The consolidation of St. Louis City and County is a topic I’ll probably revisit at least once more in this space, and I look forward to the reasoned insights and equitable solutions this merger will inspire in the months to come.

This Once Was: Stix, Baer & Fuller at River Roads Mall

This Once Was Stix Baer & Fuller at River Roads Mall

DJ Kut’s afternoon mix on 95.5 The Lou inspired me to “bring home” the pieces I salvaged from the River Roads Mall demolition in 2007.  DJ Kut introduced a song (which one? wish I remember!) as a favorite of the River Roads Mall Arcade crowd, and that kind of nostalgia is intoxicating.

So I took a few of the ceramic tile pieces that once graced the River Roads Stix, Baer & Fuller/Dillard’s building back to the spot they formerly occupied. It was easy to set them up in the place they once stayed because the spot remains an empty field, which is both depressing and annoying.

1961 stix baer & fuller

This Once Was What Was Here
The photo above is from 1961, while River Roads Shopping Center was still under construction. Wikipedia fills in some key facts. But even better is where I borrowed this photo from.

Dwayne Pounds has the River Roads Mall historical photo hook up! I encourage you to check it out here, and understand that I’ll be borrowing from this man’s excellent archival work. Dwayne even put them into YouTube format.

river roads demolition

I took this photo in May 2006 just as demolition was beginning. There was nothing to be done about the destruction other than document what was left, which remained beautiful in decay.

River Roads Sunken Garden

Those of us who respectfully trolled the demolition site began referring to this lower level outdoor plaza in front of the former Stix as “the sunken garden.” On the left of the frame is what once was The Pavilion restaurant.

Pavilion Restaurant at River Roads Shopping Center

The Pavilion in 1961 before it opened, courtesy of Dwayne Pounds.

October 2006 Pavilion Restaurant

And what remained during demolition in October 2006, when destroyed walls made the interior visible once again. Lost Tables shares the ghost of Ladies who Lunched:

When the River Roads store opened in 1961, a separate adjacent building housed the Pavilion Restaurant, open seven days a week for lunch and dinner. Two live trees, eight feet and twelve feet tall, were featured in the glass-walled center section. A pool, with a sculptured marble fountain, added to the garden atmosphere. The main dining room was French Provincial in feeling, with antiqued walnut chairs and star-flecked, deep blue carpeting. An informal patio area had a flagstone floor and wrought iron furniture in pale blue. Lighting was rheostat controlled and could be focused on models when a fashion show was in progress.

Stix price tag

The Ghosts Are Watching
After visiting the site with architecture in tow, I ran across this photo album with the Stix, Baer & Fuller price tag still in place.

My best guess of when River Roads changed from a Shopping Center to a Mall is the mid-70s, shortly after Jamestown Mall opened. They stilled billed it as Shopping Center when JC Penney opened in 1972; Jamestown Mall opened in 1974. The history of Stix, Baer & Fuller confirms they officially morphed into Dillard’s in 1984.

1983 North County Map

Though the corporate wheels were already churning, as this advertisement on a 1983 map of North St. Louis County shows River Roads splitting the difference between both Stix and Dillard’s. The actual map still names the site River Roads Shopping Center because cartographers are not required to keep abreast of the retail marketing landscape.

Also of note is that River Roads Mall only had Dillard’s for roughly two years before it permanently closed at this location. Seniority is why I continually refer to this building as Stix, Baer & Fuller.

May 2006 River Roads demolition photo

I do believe (and please fill me in otherwise) this was formerly the exterior of Walgreens. This photo shows it on the far left in 1961. And while traipising around the demolition site in July 2006, I walked around the corner and saw…

2006 interior of river roads mall

…a good view of the interior of the mall promenade, without having to break in. The Walgreens signage is still hanging. And the clock tower remains!
River Roads demolition and debrisI loved the architecture of the entrance into the mall between the Stix building and JC Penney addition (above). Whomever the project architects were (and that information has yet to surface) were liberally borrowing and paying homage to the Bauhaus modern masters, disguised as a way to keep shoppers dry as they hurried into the mall for new shoes.

As demolition began, they dragged the long-buried contents inside the Stix building out into the light. Like this pink chair from the beauty salon. I have shots of rusted hair dryers in the brutal summer sun that still delight.

River Roads Mall Demolition Abstract

This entrance on the northern side of the Stix building had become abstract art by May 2006.

October 2006 River Roads demolition photo

When the demolition crew punched a hole in this same wall in October 2006, some of us were able to grab a few pieces of those gray and turquoise tiles. I deeply loved those architectural elements, and eventually turned them into borders for flower beds, which I dubbed the River Roads Memorial Garden.

Redeveloping River Roads Mall in 2009

Because I visit NoCo on a regular basis, I kept track of what became of the River Roads Mall site. By July 2009 (above) they’d cleared the western portion of the lot, and since the Food For Less (formerly Krogers) was now closed, it was moments away from being demolished.

This Once Was River Roads Mall

9 years later on August 2018, Dollar Tree and a couple of other stores have taken their place, while the western edge remains empty and grassed over.

There had been all kinds of grand plans for the River Roads Mall site. During demolition, they erected senior living apartments along Halls Ferry Road, on the site of what once was parking for the mall. Then came the 2008 Economic Crash, and the original re-developers going bankrupt, and there’s White Flight Economics which neurotically devalues anything white people abandon, and…

Elliot Davis caught up with another thwarted development of the unused property in February 2017. It’s depressingly ironic that Kroger – who was the original grocery store at River Roads Shopping Center – wanted to come back and couldn’t.

The old Boatman’s (ghost) Bank at Halls Ferry Road and Cozens Avenue was demolished in Spring 2008. But the vast majority of the River Roads Shopping Center site remains a field of grass.

Bring the pieces back home

Stix, Baer & Fuller is a field of grass, making it easy to pull up to an unused curb and prop up old portions of the building that once was.

I understand the economic theory that decaying buildings have to come down to make it easier to entice new developers to the land. Though I dearly wish North St. Louis County would try out Historic Tax Credits for their iconic properties that now qualify rather than tear it down for a ghost town.

Think about this: if the Stix River Roads building remained standing until 2011, it would have most likely qualified for Historic Tax Credits and could have been remodeled into apartments. Which is a far better outcome than having remnants of what once was serving as ornaments in my carport container garden that took a nostalgic ride back in time.

What once was at River Roads Mall

Farewell to Family Business: Lubeley’s Bakery & Rothman Furniture Closing

lubely's bakery on watson road in crestwood mo photo by toby weiss

The news of Lubeley’s Bakery closing after nearly 80 years of business spread rapidly. Without fail, the response to the news was, “Noooooooooo!” Among my immediate circle, our tragedy is the thought of living life without Lubeley’s Dobash torte.

With a September 30, 2017 closing deadline looming, I wanted to bring one last Dobash to a dinner party, and say a proper farewell. As I headed up Watson Road, mere blocks away from the bakery, I came to another long-time St. Louis family business that announced its closing right after Lubeley’s:

rothman furniture in crestwood mo closing photo by toby weiss

After 90 years, Rothman Furniture is closing up shop.  Whereas the 2nd generation of the Lubeley family wants to retire after 60+ years of hardworking service, the 3rd generation of Rothmans’ knows they can no longer compete properly in today’s furniture marketplace, and want to bow out on their own terms.

Raise your hand if you’re one of the thousands of people who have used the massive Rothman parking lot for student driving practice. Or got a ticket from the traffic police who hide on the eastern edge.

I pulled into the Lubeley’s parking lot, which (unlike most days) was so packed I had to wait for a spot to open up. This left time to ponder some other long-time St. Louis family businesses (not on this stretch of Watson Road!) that packed it in.

ponticello's pizza in spanish lake, mo closed in 2013 photo by toby weiss

On New Year’s Eve 2015, Yacovelli’s Restaurant said goodbye after 95 years. They were a long-standing tradition for North St. Louis Countians, including my family, who had so many family gatherings in the banquet rooms over the decades. But while the Yacovelli family was waiting on our families, they weren’t spending time with their families. The 4th generation wanted to see what else life offered.

And then there was Ponticello’s (above) in Spanish Lake, which closed May 2013 after 59 years of serving one of the yummiest thin crust pizzas I’ve ever had, and The Best tempura-batter onion rings ever (just typing that made my eyes well up with tears, I miss them so).

interior shot of ponticello's pizza in spanish lake mo photo by toby weiss

Ponticello’s was a stalwart of the Spanish Lake community. We watched it grow from a take-out place with a few dine-in seats to a restaurant destination for North County ex-pats looking to wallow in nostalgia and their fine food. There was deep comfort in knowing that Ponticello’s was always there.

The daughter (and eventual son-in-law) of Rose and Vito Ponticello spent all of her life working in the family business. In their deep sixties by 2013, they were worn out. Unlike other veteran restaurant families in North County, they did not flee to St. Charles County to keep on keeping on. They just wanted to see what living a normal life would be like.

With no buyer emerging at the time, Ponticello’s is simply gone (but where are those recipes?!). As of this writing, the building remains vacant, and every time I pass by, my heart feels heavy. Then I think of how light-hearted the 2nd generation probably feels. And that Vito Ponticello passed 17 months after his legacy closed. And that life goes on no matter how you feel about it.

interior of lubelys bakery in crestwood mo before it closed photo by toby weiss

Back at Lubeley’s, inside the shop was even more chaotic than the parking lot. The 20+ customers grabbing their last bits of goodness were respectfully sad, and sharing their sorrow with the Lubeley daughter, who was hella-busy behind the cash register, but calm and gracious to everyone.

The case where the Dobash Torte always sat was completely empty, save for one chocolate cake. With tomorrow’s dinner party in mind, I asked if one could still place an order for the Dobash?
“We are not taking any more orders.”
Will there be more Dobash tomorrow?
“Maybe.”

I knew I would not be able to get up at the crack of dawn to vie for the last precious few Dobash tortes. Anyone who would do such a thing deserved it far more than me. So I snapped a few photos, soaked in my last moment at Lubeley’s, and went to Plan B for the dinner party: Federhofer’s Bakery.

To be honest, Federhofer’s in Affton, MO has been my locally-owned family bakery of choice for two decades. I go there so regularly they know my face; it’s my Cheers. 8 minutes after leaving Lubeley’s for the last time, I walked into a familiar cookie hug, and bought a cake for the dinner, and two donuts to immediately drown my Dobash sorrow.

Lately, Federhofer’s has done quite a bit of interior updating, indicating they are in it for the long haul. But Lubeley’s had done a major remodel a few years ago, and now they’re closing, so the usual signs of progress are not a given for independent, family-owned businesses.

Which is why I asked the young man ringing me out if Federhofer’s has felt the impact of Lubeley’s closing. He said their business had doubled in the last few days, with tons of people walking in to look around to see if this could be their new bakery. And since Lubeley’s and Federhofer’s have some similar goods, there were many who felt a sense of relief that their sweet-tooth need not suffer.

I remarked to him about the recent remodeling and upgrades; does this mean Federhofer’s has no plans to retire? He confirmed that the new generation has enthusiastic long-term plans for the company; they’re in it for the long-haul.
Whew!

Family Biz Speculation
Why do some families keep on with their inherited business while others pack it in?

The nature of the business rather than the generational cohort may be the deciding factor. Food service is non-stop grueling work. When corporate food chains can fill some of the needs without the personal toll, why continue to grind yourself into the dirt?

Or think about this: the original family that started the business had completely different motivations than the subsequent generations who inherited it. What was once your high school job becomes a career that was assigned to you. You’re working for your parents’ dream, but what about yours?

For those of us who’ve never been in this position, this is all pure speculation, an attempt to walk in their shoes for a moment. And I’m sure the legacy of what they leave behind weighs heavy, especially when loyal, long-time customers come out of the woodwork to say goodbye and share their feelings about the farewell. They are surely not immune to our sorrow, but they have lives to live that can’t be dictated by our nostalgia. Like the rest of us in today’s America, they deserve to get out while the getting’s good, yes?

Lubeley’s Bakery Dobash Torte photo by Steve Carosello.

There are sometimes shimmers of hope to keep a bit of what we’re losing. The friend who first introduced my to the heavenly Lubeley Dobash Torte (his photo is above) placed a call to the bakery. They said that since the news of their closing has made the local media they’ve had several serious inquiries to buy the business. And if that doesn’t come to pass, there’s genuine concern to make the effort to preserve their family recipes.

St. Louisans have experienced a few iconic recipes remaining in place after the store has closed. Some of Miss Hulling’s Cafeteria cakes are still available at Straub’s. Lake Forest Bakery confections can still be found elsewhere. And even one of the old Mavrakos chocolate candy recipes still exists. If you know of others, please share in the comments.

We all pass things onto subsequent generations, but it may be easier to preserve a piece of jewelry or painting (an object) rather than a recipe or a business (a concept). And as the originator disappears further into the abyss of time, we can’t expect the later chain of inheritors to feel as strongly about it. Confronting the limits of mortality always stings.

The present is alway, irrefutably, all we ever have. The future is unknown, the past is only remembered. I am grateful for every morsel of Dobash torte we’ve enjoyed, and wish all the families putting their businesses to bed all the very best in the future.

Labor Day Musing: Lifestyle vs. Living

I assumed this inviting backyard would have at least one Labor Day Weekend gathering. It was lovingly designed for just such things. As of this writing on the afternoon of Labor Day 2017, proper, it remains untouched and in pristine catalog condition.

Whereas this bare bones backyard, about a block and a half away, has already grilled a few times this weekend.

Here’s another nearby backyard whose beauty I admire; an ideal spot for a Labor Day “goodbye to summer” send off. And….nothing. This weekend, or others.

Meanwhile, a few doors down, this spartan set-up has grilled quite a bit of meat this summer.

I walk a 2.5 mile radius of my South St. Louis neighborhood most every day, so I get to see the daily details of how my neighbors live. Real life minutia is fascinating, and it’s important to stay grounded in how we really live vs. the lifestyles conveyed in media onslaught.

One curious thing I’ve noticed is that those who meticulously assemble immaculately designed outdoor living spaces use them far less than those who simply go outside and live.

Case in point: here is a neighborhood front porch tableau that I love. Oh, just to slowly drink morning coffee in one of those chairs would be heavenly. They did such a good job of creating a picture-perfect stage.

But on Labor Day Monday morning, I still saw no signs of life on this porch while directly across the street, a family had pulled out folding chairs to sit on their front lawn. It was a young mother and father with their animated little boy, and grandfather. Father was hosing off a baby stroller, grandfather and mother were lounging in the chairs as the son cavorted. It was a spontaneous assemblage – keeping dad company as he did a chore. But it was alive and charming and real. While across the street, my favorite “outdoor installation” was silent.

This is when the dramatic difference between Lifestyle vs. Living hit me. My aesthetic eye loves the meticulously curated front porch, but my soul longed to be with the family who quickly created a makeshift living room in their front yard.

A Labor Day Dawning:
What is the point of an HGTV-worthy landscaped outdoor oasis if no one is drawn to use it? Is it more rewarding to live an actual life than to convey the life you think you should have?

Look, I don’t keep 24/7/365 eyes on my neighborhood; there are plenty of hours in a day when those who have gorgeous yards may be using them. But seeing them on a near-daily basis, it’s easy to pick up on the signs of use, or lack thereof.

Here is the most stark example of Lifestyle vs. Living in my neighborhood. On the left is a front porch I’ve shared previously on Instagram. This person’s commitment to every detail of a design scheme always makes my heart sing. I’d love to run into them on their front porch just to convey these sentiments. But there’s never a sign of them other than this display.

Whereas, I’ve seen the person on the right on their front porch a few times; we’ve exchanged “hellos” as I walked by while they were airing out a rug, or attending to some other chore. They get the benefits of a nice setting without the effort as they just keep living – win/win.

It is absolutely possible to live a designful life that is as fulfilling as it is beautiful; I am fortunate to know a few of them, and revel in their balanced splendor.

But in the end, isn’t it better to live a full life rather than a pretty one?

Going Down: The Citizen’s Bank Building in East Alton, IL

01 east alton citizens bank

700 Berkshire Blvd at Wood River Avenue
East Alton, IL

On February 4, 2016, word came from Alton Daily News that the former Citizens Savings & Loan was going down. Read the item.

02 east alton citizens bank

This fanciful cylinder has long-delighted mid-century modern fans not simply because it’s a round building (and people love a round building, yes?) but that it also retains most of its swanky ornamentation and it has a “draw bridge.”

03 east alton citizens bank

The Citizens Bank building, by architect Alvin K. Stolze, is a rare time capsule of 1964 that inspires retro lust and ideas of what it could be in the future. Learn more about the building here.

The only things missing from the current-day structure is the fountains under the suspension bridge and the yellow and red glass bricks (seen here in the original state) that gave the southern exposure a regimented Mondrian feel.

04 east alton citizens bank

This detail shot shows the textured glass block and the vandal damage done to it over the years of vacancy. We can also see how the red and yellow blocks were spray painted over, giving the building a crossword puzzle update in the early 2000s. Remnants of yellow and red peek through the slivers when a projectile pierces the facade.

My father, Richard Weiss, installed the non-brick glass on this building (like the entrance shown below) in 1964 when he worked for Rainbow Glass. He explained that brick layers were responsible for the glass block curtain wall, and that, even then, his glazier brethren thought it a folly to use so much glass block for two reasons: there’s no insulation properties and glass block in reach of people will always be damaged, both unintentionally and intentionally.

05 east alton citizens bank

After the “oh wow” of spotting this building as you drive by, the walk up the bridge to this entrance renders you speechless. This looks like a jet set bar with an under-the-sea theme!

06 east alton citizens bank

How did the architect sell them on this idea? But bless their progressive hearts for going with it. And thank you to the decades of facilities managers who kept the dream alive.

07 east alton citizens bank

This bank captured imaginations for over 50 years. Even while discussing why the building is coming down, East Alton mayor Joe Silkwood acknowledges how special it was in this brief podcast chat.

08 east alton citizens bank

09 east alton citizens bank

In the podcast, Silkwood says the building sat vacant for almost 7 years and that it became unusable for both market and structural reasons. What to do with a building like this in East Alton is a burden – there’s just no market for adaptive reuse of fanciful mid-century modern buildings. But the structural decay issues were preventable.

I say this because in November 2010 there were 3 of us who came across the building, and we were flipping out with wonder and glee. As we combed every inch of the exterior we found that a basement door was unlocked and slightly ajar, so of course we went inside. While in a state of MCM ecstasy, I found (but don’t remember) a moment of documentarian clarity and recorded this video of a journey through the 2nd floor:

In this video, you will hear the sound of a camera shutter going off. Sharks after chum are not as frenzied as we were in trying to capture as much evidence as possible.

10 east alton citizens bank

Those are St. Charles metal cabinets, obviously original to the building, and following through on the yellow and red theme of the exterior.

I hope that during their request for demolition phase, East Alton city hall allows for those who know the value of what’s in the building to buy it and cart it off. These cabinets are just one of many treasures that deserve to be saved. A pre-demolition auction for the ornamentation and fixtures would be a sound funds generator while creating property marketing and general civic good will.

11 east alton citizens bank

While on our adventure, we found a sign that read “Building Closed 1/25/10. Please call Todd Adamitis 618.xxx.xxxx.”

After we exited the building (empty-handed, it must be noted!), we worried about the havoc that could be reeked because of that unlocked door. So one of us made several calls to the phone number listed, letting him know about the situation and why it needed to be addressed. There was no response to those calls.

In November 2010, the building was in an understandably worn state, but completely salvageable. Even though it was unused and uncared for since at least January, there wasn’t even the mold and mildew smell so common in vacant buildings. Its relatively stable state is what fired our imaginations over what could be.

12 east alton citizens bank

Six years of neglect can take any building past the point of ROI.

Mayor Silkwood mentions that attempts were made to find new owners for the building, but also says, “It wasn’t a practical or useful building.”

After listening to my father detail the problems with “that much glass block,” I agree with the practical part. Bringing it up to modern energy efficiency standards and replacing damaged glass bricks would be very pricey renovation budget item.

I disagree with the useful part. Several miles away, a 1960 MCM bank has been repurposed (stories here), so the local market can handle visionary developers with a love for the mid-century aesthetic. In the right hands, this building could easily live another useful life. It happens all the time.

But let’s look at context. While parts of next door Woodriver, IL are coming back to life, this particular part of town is not yet viable. And there is nothing nearby that would sustain such a bold and costly renovation. The aforementioned Alton Savings & Loan is in a higher density part of town that knows the value of historic renovation and financially benefits from such. But it would be a huge stretch to expect a developer to plunk down the benjamins on a risky round building in this locale. Timing and context make demolition a far sounder fiscal decision.

13 east alton citizens bank

So now it’s just a matter of saying a proper goodbye to this unique and glamorous bank building. We have from now until late Spring 2016 to document and reminisce, and again, I hope the powers-that-be allow for parts of the structure to find new stewards. If that happens, please be sure to let me know.

Marking the 10-Year Anniversary of B.E.L.T.

May 30, 2005 was the very first B.E.L.T. entry. 10 years later, the title of the maiden post ironically sums up my current mindset about the state of my relationship with St. Louis:

inappropriate and rotting

As a person who trends to the positive because it has more power for meaningful change, I’m not comfortable with the cantankerous and curmudgeonly state of mind I’m currently in about my beloved hometown. Rather than prattle on in the negative, I prefer to say nothing at all. This is why new postings have been scarce throughout 2013 and most of 2014, and came to a complete halt after expressing my feelings about #Ferguson in September 2014.

But a 10-year anniversary of a blog is a special thing, especially in the ADD cyber world, so I want to acknowledge my relationships with this blog, this town and the people who have been a part of this journalistic journey. So to quote an overzealous 5th grade classmate who was picked to lead our physical education class for the day: “10 jumping jacks! Ready? BEGIN!

mark twain theater, sunset hills MO photo by toby weiss

An Outlet for an OCD Photo Habit

I wanted to be like Julius Shulman, and happily went down that path with several years of serious dark room lurking over black and white film of St. Louis architecture, grand and unassuming (like the example above, of the former Mark Twain Theater in Sunset Hills, MO). Then I got a digital camera. Film vs. digital is the equivalent of espresso vs. cocaine, and I went on an epic bender.

I believe there should be a purpose and/or outlet for creative expression, so felt a burning need to do something with this stockpile of images. This need coincided with blogging going mainstream. I started my first blog, M.E.L.T. in March 2005.

With some kindly coding help from Perez Hilton and Trent Vanegas (Pink is the New Blog), I got the knack and shared thoughts about my lifelong obsession with pop culture and celebrity.

M.E.L.T. was the necessary blogging due diligence and learning curve to get to what really mattered – St. Louis buildings, grand and unassuming. I still clearly remember the joyous moments I discovered Ecology of Absence, Urban Review STL and Built St. Louis. These men and their output were inspiring, fascinating and entertaining. I felt I had something to offer about our town’s built environment that wasn’t covered by them, so it would not be a pale imitation of their work, nor step on their areas of expertise.

buder-building-group-hug

A Mid-Century Modern Cheerleader

The launch of B.E.L.T. created a place to share photos and stories of my travels around St. Louis, and beyond. It was also the opportunity to dig deep into the demise of Northland Shopping Center, in Jennings, MO, that had both deep personal meaning and important historical context about mid-century modern architecture coinciding with the development of St. Louis County.

While all eras of St. Louis architecture matter to me, it’s the architecture from roughly 1940 to 1970 that resonates strongest. Those are the photos and stories I shared the most, and the buildings I worried about the most. MCM architecture was too young to yet be properly appreciated by the preservationists and general public, while also being too old for developers and the general public to care about. In 2005, Northland Shopping Center and Busch Stadium were the biggest examples of MCM disregard leading to demolition.

I felt an urgent need on two fronts:

  1. To call attention to the last important era of American architecture, with the hopes that the preservation communities would catch on and get behind protecting the best examples.
  2. Photographically capture and share as many of our local examples as I could before they disappeared.

Much to my surprise and eternal gratitude, it wasn’t hard to sell. Turns out there were plenty of St. Louisans who understood and agreed with my agenda. They were generous with information – hipping me to things to check out, or filling in missing details – and enthusiasm.

B.E.L.T. sometimes helped to make it easier for us like-minded folk to protect or celebrate MCM architecture.

save-the-san-luis

Protection-wise, a large group of us went up against an arm of the St. Louis Archdiocese to save the San Luis in 2009. We lost the fight (and the building), but learned valuable lessons about how to handle future threats.

01-del-taco-saucer-400x266 photo by toby weiss

In retrospect, it really didn’t take long for the City of St. Louis to get on board with saving worthy mid-century buildings. One great example: By Spring 2013, Missouri gave us an award in Jefferson City for helping to save the Grand Center Saucer (with the original architect, Richard Henmi, in tow!).

Celebration-wise, a Spring 2010 post about an Atomic Crash party in Indianapolis ended with a question about doing something similar here in St. Louis. The first 4 commenters on this post became founding board members of what became – and remains – Modern STL.

ModernSTL

Because of B.E.L.T. I’ve been honored to be invited to take part in symposiums, seminars, lectures, exhibits and documentaries, tours and film screenings (hello Julius Shulman!). And most astoundingly of all, esteemed people who actually are architectural experts because they have the education, experience and encyclopedic minds have repeatedly referred me to as an “authority” on St. Louis mid-century modern architecture.

No disrespect to any of them when I say, “Man, you’re soooooo wrong!” I am not an authority, by any measure. I am only a storyteller who illustrates the tales with photos. I am only a cheerleader for an architectural style that needs proper respect. The beauty of the little big town of St. Louis (and the internet) is the ability to reach the key people who actually can, and do, make a positive difference. To quote Freddie Mercury, “I thank you all.”

But It’s Been No Bed of Roses

By 2013, there was many fine people, blogs and organizations covering St. Louis architecture – and MCM specifically – that my compulsion to cover it relaxed. My slacking blog entries wouldn’t cause any harm because others had the wheel. So I took the time to pursue another lifelong passion – music – and that is an ongoing staple of my free time (shameless plugs: The Remodels & The Jans Project).

Then there was August 9, 2014. On that Saturday, as Michael Brown was shot down in Ferguson, I was about 1.5 miles away in neighboring Jennings, showing someone a street where I once stayed. To an outsider, they were shocked at the state of decay and disrepair of the streets and homes. Seeing it through their eyes – rather than with my typical nostalgia and loyalty to North County – I was stunned and saddened. Later that night, I learned of what happened to Michael Brown, and I was heartbroken.

From that moment on, the events that transpired in Ferguson radically altered my perspective. What was the point of rallying to save a building (the Lewis & Clark Library in neighboring Moline Acres) when the people of North County were in turmoil? Many buildings in Ferguson and Dellwood were sacrificed to the anger. I was compelled to talk about in this post. But in the face of systemic injustice to some of our people, I lost the heart to talk about buildings.

Come November 24, 2014, with the grand jury decision not to indict Officer Darren Wilson, I was sickened and in tears as Ferguson and Dellwood burned. It truly felt as if the Powers That Be were purposely letting it be destroyed to make a convoluted point.

9181-83 West Florissant photos by toby weiss

Since then, 3 things are really pissing me off:

  1. Football Is More Important Than You: Governor Jay Nixon – who had to be dragged into inept action about Michael Brown’s death in North County – couldn’t move fast enough to potentially wipe out part of the North City riverfront to build a new football stadium. And telling us that we had no voting rights about partially funding a new stadium because we’re still paying for the current stadium. And this boondoggle trail is already muddied by crooked money. Why is it that every 20 years we have to pony up so a select group can make even more entertainment dollars?
  1. Special Rules for Millionaires: You are fine-tooth-combed for a car loan, but the City of St. Louis couldn’t be bothered to do a credit check on Paul McKee before giving him unprecedented land-massing allowances and tax breaks. McKee is defaulting on multi-million dollar loans on his North City properties. Ecology of Absence uncovered and reported the details of McKee’s disregard for North Side people and property several years before City Hall issued the free pass to supposedly redevelop it. Unfortunately, history and truth is never as important as continually forcing upon us underperforming Silver Bullet Solutions.
  1. Causing Destruction to Save You: The City of St. Louis is lobbying to demolish occupied North Side homes and businesses so the National Geospatial-Intelligence Agency might remain in the city because, supposedly, the NGA’s tax money and employment is more important than that which is already there. Why not 2-bird-1-stone it and use the vacant Pruitt-Igoe site for this project? Or is that not owned by Paul McKee?

And Enough Already!

These are the St. Louis thoughts that lately occupy my mind. This is why it’s better I say nothing at all. Anger and criticism is easy to cave into, but it leaves me feeling inappropriate and rotting, a disillusioned Pollyanna.

northwest plaza april 2015 photo by toby weiss

There are St. Louis built environment happenings that are surprising and cool. For instance, the Northwest Plaza redevelopment is, so far, an interesting balance of original buildings with new construction and uses (above, under construction, April 2015). And all the modern in-fill housing and mixed-use buildings slated to go up around The Grove in South St. Louis is life affirming. Jennings called a quick halt to Family Dollar wanting to take down a Frederick Dunn church on West Florissant, and then found another tenant for the church.

lewis and clark library april 2015 photo by toby weiss

But I can’t muster the energy to cover those things. I’m trying to muster up the courage to photographically cover the demolition of the Lewis & Clark Library (being dismantled, above, April 2015), and reeling from the irony of the failed effort winning an award. I don’t know if I have it in me to watch another beloved and worthy building go down needlessly, much less share the story with others. It’s probably best to just grieve in private, over this and all the other St. Louis people and places that trouble me. I count on this being a momentary phase, please.

Some Stats, Acknowledgements & Forecasting

In 10 year, there have been 437 B.E.L.T. entries (or 438, counting this one). Google Analytics reports these are the Top 10 most-read posts:

  1. A White Flight Tour Up West Florissant Ave. to #Ferguson and North St. Louis County
  2. Masters of Sex: St. Louis Reality vs. TV Depiction
  3. Urban vs. Rural
  4. Sneak Peek: Downtown St. Louis Sculpture Garden
  5. Top of the Towers
  6. Inside the Top of Tower Restaurant
  7. Mid-Century Modern For Sale in Old Town Florissant
  8. Overland, MO Mid-Century Modern
  9. Southern Funeral Home For Sale
  10. CWE Mid-Century Modern: Lindell Boulevard

Here are the Top 10 posts with the most comments from readers. Only 3 overlap with the most-read, so can we conclude these are of most interest to us locals? (Note: I disabled comments on the West Florissant White Flight post to avoid the hatred. People still found ways to get ‘em in, though.)

  1. Top of the Towers
  2. One More Walgreens Will Surely Complete Our City
  3. Overland, MO Mid-Century Modern
  4. Sunset Hills Teardown, Revised
  5. 2 More Gasometers Coming Down
  6. Northland Shopping Center Artifacts
  7. Tear Down Jamestown Mall
  8. Rossino’s Italian Restaurant
  9. Inside the Top of Tower Restaurant
  10. Barely There: St. Louis Hills Office Center Update

And this would be the only time I get to indulge as such, so off the top of my head – in no particular order – are 10 of my personal favorite posts:

1. Hampton Avenue Mid-Century Modern
2. North County MCM: Independent Congregational Church
3. Heavenly Mid-Century Modern: The Union Memorial United Methodist Church
4. Personal Architecture: Northland Day Nursery School
5. Shutters – Why?
6. The Doors of St. Louis Hills
7. Harris Armstrong, South Side
8. MILESTONE: Mid-Century Modern Subdivision on Missouri’s National Register of Historic Places
9. Unnerving Florissant Modern
10. The Dorsa, “The Ultimate in Mode Moderne”

St. Louisans are so heart-warmingly generous with information, and love to share their knowledge. Along with post comments, I have received so many wonderful emails from so many helpful people. To everyone who provided pieces of the puzzle, thank you a million times for caring and sharing.

B.E.L.T. also made it possible to meet so many amazing, enthusiastic people who care deeply about St. Louis, and I’m eternally grateful for those that became good friends and fellow adventurers. So many of these posts double as a personal scrapbook of good times I had with great people.

Thank you to any organization or publication that bestowed an award upon B.E.L.T. and/or its author. That’s way cool. And to all the journalists who asked for my thoughts or assistance, thanks for believing St. Louis buildings are newsworthy.

As for the future… I bet I post again. Like I said, I hope the “you kids get off my lawn!” phase is a temporary affliction. And I am exploring the world of podcasting. The St. Louis built environment would definitely be a reoccurring topic, providing a chance for you to hear from some of the St. Louisans who’ve enriched my blogging experiences.

I am far more frequent with building posts on Instagram and the B.E.L.T. Facebook page, so please follow along.

And thank you for being a part of the past 10 years. It was pretty kick ass!

A White Flight Tour Up West Florissant Ave. to #Ferguson and North St. Louis County

Roughly an 8 mile stretch of avenue illustrates a chapter of St. Louis history from urban to suburban, from white to black.

Roughly an 8 mile stretch of avenue illustrates a chapter of St. Louis history from urban to suburban, from white to black.

St. Louis is a racist town. Historically and culturally, it is a part of our heritage. Our built environment provides visual proof of this racism. The only thing surprising about the resentful segregation that has boiled over and blown up in Ferguson, Missouri in August 2014 is that it took this long to do so.

west florissant avenue photo by toby weiss

Leave Hwy 70 at West Florissant to head north, and there’s 4-family flats like this, from 1926, overlooking Bellefontaine Cemetery. This stretch of road within the St. Louis City limits had gas streetlights until 1942, when the switch was made to electric.

The Ferguson police killing of Michael Brown is inexcusable and heartbreaking. This piece is inspired by my sorrow over Michael Brown’s tragic fate, and the intense feelings conjured while watching the aftermath unfold on the familiar streets of what was once my home and to those it belongs to now.

historic west Florissant avenue photo by toby weiss

Leading to the North Kingshighway intersection is a row of new in-fill housing built in 2005 next to a remaining 2-family flat built in 1900.

Because it’s what I do, half this piece deals with the topic through photos of our buildings. This architecture tells the story of St. Louis’ northern expansion from urban to suburban, from white to black. It illustrates St. Louis’ White Flight as it traveled north up West Florissant from Highway 70 to New Halls Ferry, with a stop in Ferguson. Sharing our story through buildings is the best way I know how to process all the disturbing feelings I can’t shake in the wake of Michael Brown’s violent and unfair departure.

west florissant and geraldine photo by toby weiss

At Geraldine Avenue, which is the dividing line between Bellefontaine and Calvary (where Dred Scott is buried) Cemetery is this commercial/residential building from 1909. In 1921 it housed a Kroger’s Market and Shields Florist (who remained until 1963).

A WHITE LADY’S CREDENTIALS
I have spent a decade plus documenting the St. Louis built environment in photos and words through this blog. I am a North County (NoCo) native, born and raised in
Jennings – 14 Yr. Old Boy Murdered on Meadowlark
Ferguson – Personal Architecture: 509 Teston in Ferguson, MO
Black Jack – Tear Down Jamestown Mall
before landing in South St. Louis City in 1993.

photo by Toby Weiss At the Union Blvd. intersection is a mixed-use building erected in 1911. It originally housed a drug store and barber, among several other businesses.

At the Union Blvd. intersection is a mixed-use building erected in 1911. It originally housed a drug store and barber, among several other businesses.

Over half of my posts about NoCo brings up St. Louis’ history of White Flight, gently touching on our racism because it’s unavoidable. But it needs to stop being treated as a poorly hidden secret. I no longer wish to be politely genteel about how our racism is determined to destroy North St. Louis County the same way it did North St. Louis City.

photo by Toby Weiss A glance up Arlington Avenue, with homes built from 1922 - 1923. These homes have looked essentially the same and well-maintained as when I first noticed how lovely they were in the 1980s.

A glance up Arlington Avenue, with homes built from 1922 – 1923. These homes have looked essentially the same and well-maintained as when I first noticed how lovely they were in the 1980s.

My immediate and extended family is a classic example of North Siders following the trail up West Florissant to North County, and eventually leaving it completely when it got “too Black.” My family is just a few of the hundreds of thousands of other NoCo Whites who have done exactly the same. I’ve seen why and how it plays it out.

photo by Toby Weiss Between Thrush & Plover Avenues, and across from Calvary Cemetery, are single- and multi-family residences built from 1908 - 1924, capped off by an in-fill apartment building from the mid-1960s.

Between Thrush & Plover Avenues, and across from Calvary Cemetery, are single- and multi-family residences built from 1908 – 1924, capped off by an in-fill apartment building from the mid-1960s.

I love and explore all of St. Louis and spend a lot of time in North County, documenting its history as told through buildings and places. I manufacture any excuse to visit and hang out because I genuinely love North County more today than when I lived there. It feels good; it feels like home, because it is.

photo by Toby Weiss 5760 West Florissant is the Walnut Park branch of the St. Louis public library. The original building moved here in 1971, and was remodeled in the early 2000s.

5760 West Florissant is the Walnut Park branch of the St. Louis public library. The original building moved here in 1971, and was remodeled in the early 2000s.

But where I differ from so many of my White brethren is that I do not resent the Black majority that are now the rightful citizens of NoCo. It is their home the same as it was once mine. They live, love and work there the same as we once did, but with one glaring exception: they have to deal with and work around the systemic and lingering resentment of Whites who willingly fled the area because of them. And that’s a White Problem the NoCo Blacks have had to deal with… until they just couldn’t anymore.

photo by Toby Weiss | This building at 5776 West Florissant was erected in 1927, and from 1930 to 1971 was the Walnut Park library. It was also the home of Fischer & Sons Cleaners, and as an old, painted over sign in the window once revealed, the Wilson Cab Co.

This building at 5776 West Florissant was erected in 1927. Right-side storefront was the Walnut Park branch of the St. Louis public library from 1930-1971. Left side was once Fischer & Sons Cleaners, and as an old, painted over sign in the window once revealed, the Wilson Cab Co.  The in-fill apartment buildings to the right are from 1964.

CREATING ST. LOUIS RACISM

St. Louis has always been a schizophrenic city. It’s the last of the old Eastern cities, and the Gateway to the younger West. That informs its Conservative vs. Progressive spirit. The Civil War Mason-Dixon Line ran right through it, and it’s been a struggle of North vs. South mentality ever since.

The national dominance that the City of St. Louis experienced from post-Civil War to post-Korean War was partially based on the population increase of Blacks from the South. And while it was, by constitutional law, safe for Blacks to come here, powerful White factions have always made sure the new arrivals were segregated into the City’s North Side.

photo by Toby Weiss | A 2-story home built in 1900 must have stood by itself for a decade or so, as the homes next to it are younger. City records shwo this to be saved from the Land Redevelopment Authority in 1998. Excellent!

A 2-story home built in 1900 must have stood by itself for a decade or so, as the homes next to it are younger. City records show this to be saved from the Land Redevelopment Authority in 1998. Excellent!

While White St. Louis has enthusiastically embraced Black St. Louis culture – from music (milestone home of jazz, ragtime, blues and rock & roll) to food (BBQ and soul food are indigenous cuisine) – they made sure Blacks lived in a contained manner.

Before and after the Civil Rights movement, the real estate Red Lining of the 20th century (expertly detailed in the book Mapping Decline) remains a troubling problem barely disguised as predatory lending in the 21st century. While every race and income level has been injured by the housing bubble burst of 2008, in St. Louis the massive foreclosures are most dramatic in the predominantly Black towns of North St. Louis County. It’s Red Lining re-branded for the 21st century.

photo by Toby Weiss | Angelo Lombardo opened a fruit stand at the corner of West Florissant and Riverview in 1934. In 1965 they erected this building as Lombardo's Restaurant. They moved out to the airport in 1993, and this place has been a series of restaurants a banquet hall and church.

Angelo Lombardo opened a fruit stand at the corner of West Florissant and Riverview in 1934.  Pavement ended at this intersection, turning into a 2-lane gravel road that wasn’t paved until 1940ish. In 1965 the Lombardo family erected this building as Lombardo’s Restaurant. They moved out to the airport in 1993, and this place has since been a series of restaurants, a banquet hall and church.

A vintage matchbook from Lombardo's Restaurant in the late 1960s.

A vintage matchbook from Lombardo’s Restaurant in the late 1960s.

CREATING NORTH COUNTY

After World War 2, the Baby Boom created a need for more housing for everyone. With the help of President Eisenhower’s new highways and G.I. loans, people left St. Louis City in all directions for the largely rural County. To the North, West Florissant Avenue became a main corridor to fresh new homes and schools, so commerce built up along it to serve the fast influx of new residents.

Photo by Toby Weiss | Continuing north, the blocks from Hiller to Pamplin Places are retail and religious buildings ranging from 1935 to 1962. Across the street remains multi-family residential built from the 1920-40s.

Continuing north, the blocks from Hiller to Pamplin Places are retail and religious buildings ranging from 1935 to 1962. Across the street remains multi-family residential built from the 1920-40s.

St. Louis families of all races and income levels can trace their rising fortunes by how they leap frogged from one municipality to the next, ever-further away from the City lines. The huge exodus from the City over a 20 year span left the City to rot. This fact earned its own chapter in the 1999 book The Old Neighborhood: What We Lost in the Great Suburban Migration 1966-1999 by Ray Suarez.

Photo by Toby Weiss | At Era Avenue, this is the last bit of residential buildings until just after Goodfellow Blvd. The 2 homes on the left are from 1924, on the right was built 1941.

At Era Avenue, this is the last bit of residential buildings until just after Goodfellow Blvd. The 2 homes on the left are from 1924, on the right was built 1941.

Because the City’s North Side had historically (and uneasily) accepted more Blacks, the migration to North County had more of a salt and pepper flavor than to the west or south. In private, North Side Whites acknowledged the additional motivation of leaving City blocks that got one more black family than they were comfortable living with. And that mentality remained as Whites and Blacks wrote the living history of North St. Louis County in the last half of the 20th century.

At the Goodfellow Blvd. intersection, this building went up in 1928 with retail at street level, doctors and dentists on the 2nd floor. 6324 is the most famous address, starting as the Community Hall in 1930, becoming the Imperial Ballroom in the 1940s & 50s. In the 1960s is when it became the legendary rock and r&b venue, Club Imperial.

At the Goodfellow Blvd. intersection, this building went up in 1928 with retail at street level, doctors and dentists on the 2nd floor. 6324 is the most famous address, starting as the Community Hall in 1930, becoming the Imperial Ballroom in the 1940s & 50s. In the 1960s is when it became the legendary rock and r&b venue, Club Imperial.

Photo by Toby Weiss | Club Imperial Pleasantly surprising that this old building at a major intersection remains relatively unchanged, and still host to an ever-revolving series of business. This photo is from 2003.

Pleasantly surprising that this old building at a major intersection remains relatively unchanged, and still host to an ever-revolving series of business. This photo is from 2003. The border of St. Louis City/County is one block up, at Acme Avenue.

NOT LIKING WHAT WE SEE IN THE MIRROR

St. Louis County is a star pupil in the Suburbanization of Poverty. Here are some informative pieces with great historical reporting that detail how Ferguson got to this point:

In Ferguson, Black Town White Power

The County Map That Explains Ferguson’s Tragic Discord

Photo by Toby Weiss | Now we're in North St. Louis County, and it gets crazy with a patchwork quilt of tiny towns. The house is from 1911, when it was a gravel road in unincorporated St. Louis County. The 2-story McDonough building (developed by a realtor who had his offices under the steel lettering) went up in 1955 in what had become Jennings, MO in 1947.

Now we’re in North St. Louis County, and it gets crazy with a patchwork quilt of tiny towns. The house is from 1911, when it was a gravel road in unincorporated St. Louis County. The 2-story McDonough building (developed by a realtor who had his offices under the steel lettering) went up in 1955 in what had become Jennings, MO in 1947.  The venerable Knoedel’s Bakery remains across the street at 6715 West Florissant, in its 1953 building.

St. Louis is an old industrial city that carried its archaic North vs. South mentality to the new suburbs, clinging to a stark segregation in North County. In the wake of Michael Brown’s death, we are bickering amongst ourselves about how racist we are or aren’t while the global community has learned exactly how racist we are and shakes its head in disbelief.

photo by Toby Weiss | With Jennings booming in the first half of the 1950s, new retail buildings were squeezed between those from the 1920s, like this strip between Helen & Janet Avenues.

With Jennings booming in the first half of the 1950s, new retail buildings were squeezed between those from the 1920s, like this commercial strip between Helen & Janet Avenues.

National reporters puzzled over the statistics and anecdotes about how oblivious a large percentage of St. Louis Whites are about our race problems. Veteran reporter Charles Jaco got to the heart of it in two Twitter posts on August 18, 2014:

“Despite the global focus, most white people in St. Louis this is just Ferguson, willfully blind to race and class issues that cause seething anger. In 19 yrs, discovered white people in StL are kind, considerate and oblivious to racial issues. Like StL BBQ sauce, they’re sweet but thick.”

Photo by Toby Weiss | From Jennings Station Road to College Ave is mostly single-family homes on both sides of West Florissant built in the 1940s. This is the tiny town of Flordell Hills, incorporated in 1945. Even then, it had barely any commercial business to generate revenue. Commerce resumes right after College Ave., when it reverts back to Jennings, MO.

From Jennings Station Road to College Ave is mostly single-family homes like these on both sides of West Florissant, built in the 1940s. This is the tiny town of Flordell Hills, incorporated in 1945. Even then, it had barely any commercial business to generate revenue. Commerce resumes right after College Ave., when it reverts back to Jennings, MO.

Because we have a history of racially insulating our neighborhoods, it’s very easy for White St. Louisans to be completely unaware that Different Rules Apply.  Speaking only from my experiences, native White St. Louisans who are not instinctively racist tend to be those who have traveled and/or lived outside of the region and have experienced places where you can palpably feel the ABSENCE of racial tension. It’s always an eye opener. The lesson learned from it is that it’s easier to accept all people as they are rather than how you want them to be.

Photo by Toby Weiss | Near McLaren Avenue, at 7355 W. Florissant is the last remaining Velvet Freeze, which moved into the 1968 building in 1970. Next door had been a Steak n Shake from 1959 (it is now new credit union building).

Near McLaren Avenue, at 7355 W. Florissant is the last remaining Velvet Freeze, which moved into the 1968 building in 1970. Next door had been a Steak n Shake from 1959 (it is now new credit union building).

Photo by Toby Weiss | A week after Mike Brown's death by a Ferguson cop on August 9, 2014, the Velvet Freeze was boarded up. The paper sign read: "Stay Strong, God Is In Charge, We'll Be Back Soon."

A week after Mike Brown’s death by a Ferguson cop on August 9, 2014, the Velvet Freeze was boarded up. The paper sign read: “Stay Strong, God Is In Charge, We’ll Be Back Soon.”

There’s one trait that most every visitor notices about St. Louis (aside from how clean we are!): we are extremely nice people. We are inherently nice to each other, face to face, no matter the color or culture. But how we develop our towns, evolve our governments and speak in private conveys that White St. Louis has a long-standing problem with Black St. Louis.

This behavior grows more absurd as the world becomes more global and integrated via the internet and social medias that easily recognizes oppressive behavior even when we can’t see it ourselves. People around the globe quickly understood the gravity of #Ferguson and the importance of people standing up against abusive authority. The inequity was easy to understand outside of a large chunk of White St. Louis.

photo by Toby Weiss | Lefholz Hardware was at 7525 West Florissant, just past McClaran Avenue. Company established in 1944, this building is from the late 1950s. They closed shortly after this 2005 photo. It was immediately remodeled and opened as Nu Fashion Beauty. This is one of the few business revenue generators in the small town of Country Club Hills, staking a spot inside Jennings, MO.

Lefholz Hardware was at 7525 West Florissant, just past McClaran Avenue. Company established in 1944, this building is from the late 1950s. They closed shortly after this 2005 photo. It was immediately remodeled and opened as Nu Fashion Beauty. This is one of the few business revenue generators in the town of Country Club Hills, staking a small spot inside Jennings, MO.

RESENTMENT OF BLACK NORTH COUNTY

White Flight is well-documented American process, and a motivating factor in creating St. Louis County. For a lot of White St. Louis, it’s a part of the stories of why your family moved to such and such, and why we live where we do. We talk freely – or in code – about it amongst ourselves, and instinctively seem to know when to not talk about it. And that right there reveals that we do know better but can’t let go of deeply ingrained prejudice.s

photo by Toby Weiss | Across the street is the other strip of Country Club Hills commerce. The green house (from 1941) remains. Lam's Garden Chop Suey began life in 1975 as Church's Chicken. Demolished for a Walgreen's that opened in 2008.

Across the street is the other strip of Country Club Hills commerce. The green house (from 1941) remains. Lam’s Garden Chop Suey began life in 1975 as Church’s Chicken. Demolished for a Walgreen’s that opened in 2008.

Several generations of St. Louis Whites are vocally resentful of having to “give up” North St. Louis and North County to the Blacks. They reveal deep resentment with the language used to describe what has become of the places they left behind.

Part of the White resentment might be because NoCo is such an engaging area of Metro St. Louis. See the Cruizin’ North County books for reasons why it’s such a deeply loved place.  Leaving behind something you love is always bittersweet. If that feeling is coupled with a fear-based decision to move away, it can create contempt for those who took your place.

Northland Shopping Center opened in Jennings, MO August 1955, demolished November 2005. Read an extensive history of Northland.

Northland Shopping Center opened in Jennings, MO August 1955, demolished November 2005. Read an extensive history of Northland.

Do the White ex-pats want it back? Is that why there’s so much White anger toward NoCo Blacks? Because if you want it back, that might make some sense out of the blatant contempt for those who live there now. It doesn’t excuse it; it only provides a psychological understanding of the negative behavior.

1958 aerial map of West Florissant, north of Lucas & Hunt (click to enlarge). And there's NOTHING along what would become a thriving retail district. New homes were up, but Ferguson Avenue had yet to be plotted. Canfield Drive had only just begun. The first building in the spot that becomes QTs erected in 1965. A Pontiac dealership was the first major retail to follow in the shadow of Northland Shopping Center. That building remains as of today as 9020 W. Flor. By 1962, the empty spots were filling in rapidly.

1958 aerial map of West Florissant, north of Lucas & Hunt (click to enlarge). And there’s NOTHING along what would become a thriving retail district. New homes were up, but Ferguson Avenue had yet to be plotted. Canfield Drive had only just begun. The first building in the spot that becomes QTs was erected in 1965. A Pontiac dealership was the first major retail to follow in the shadow of Northland Shopping Center. That building remains as of today as 9020 W. Flor. By 1962, the empty spots were filling in rapidly.

NoCo remains a lovely place. This is what I strive to show on B.E.L.T. over the years (do a fast scroll through this category).

I’ve had countless conversations with former NoCo Whites who swear it’s all gone downhill and just looks bad. Granted, NoCo is an aging area; after 50+ years, everything gets raggedy around the edges. One of the reasons people originally fled St. Louis City is because it was old and worn out, and Urban Renewal bulldozed huge chunks of what they deemed irretrievable eyesores. It took new generations to see the beauty under the grime and exchange demolition for restoration. This is a natural evolution of cities, and renewal will eventually have to come to our Inner Ring suburbs. Just give it time.

Photo by Toby Weiss | In 1968, at 9131 West Florissant in Ferguson, MO was erected the McDonald's Systems Hamburgers chain. This 2008 photo shows the 3rd remodel from the original. The 4th version is the stone facade version seen by the world in the aftermath of Mike Brown's killing, also known as the place where journalists were arrested by Ferguson police.

In 1968, at 9131 West Florissant in Ferguson, MO came the McDonald’s Systems Hamburgers. 2 years later it would be the site of my very first deliberate lie so I could see Mary Poppins a 2nd time. This 2008 photo shows the 3rd remodel from the original. The 4th remodel is the stone facade version seen by the world in the aftermath of Mike Brown’s killing, also known as the place where journalists were arrested by Ferguson police.

Even when I get ex-NoCo whites to begrudgingly admit that their old neighborhood or house  still look pretty good, they genuinely believe the rest of it has gone to shit. I believe they’re looking at it through puce-colored glasses.

Even as I choose to see through rose-colored glasses, I’m not blind to how poverty has ravaged many North County municipalities. Look at the corpses of Kinloch or Wellston to see the ways racism works through legal and illegal channels to exact revenge on those it fears.

photo by Toby Weiss | A Jack-in-the-Box went in at 9240 West Florissant in 1970. Northland Chop Suey - one of the last holdouts at Northland Shopping Center, moved to this location in 2005 during its demolition.

A Jack-in-the-Box went in at 9240 West Florissant in 1970. Northland Chop Suey – one of the last holdouts at Northland Shopping Center, moved to this location in 2005 during its demolition.

photo by Toby Weiss | August 2014, Northland Chop Suey was hurt in the lootings after Mike Brown's shooting. But as with most of the shop owners in this block of West Florissant, they are staying put.

August 2014, Northland Chop Suey was hurt in the lootings after Mike Brown’s shooting. But as with most of the shop owners in this block of West Florissant, they are staying put.

As I’ve spent 10+ years photographing my NoCo homeland, looking at it through the detached lenses of architecture, remodeling, planning and sustainability, I think it’s beautiful. I see past glory, present strengths and future possibility.

photo by Toby Weiss | The 9100 block of West Florissant is made of a trio of these buildings, erected from 1967 - 1969. It is this 2-story building flanked by two matching 1-story buildings with storefronts facing W. Florissant and a row of store front on the sides. hey are distinctive for their white brick and lava rock vertical bands. In 1969 this building housed Big Daddy's Cocktail Lounge, the Razor's Edge barber shop on ground level; upstairs were small businesses like lawyers, graphic artists and a psychologist.

The 9100 block of West Florissant is made of a trio of buildings, erected from 1967 – 1969. It is this 2-story building flanked by two matching 1-story buildings with storefronts facing W. Florissant and a row of store fronts on the sides. They are distinctive for their blonde brick and lava rock vertical bands. In 1969 this building housed, among others, Big Daddy’s Cocktail Lounge, the Razor’s Edge barber shop on ground level; upstairs were small businesses like lawyers, graphic artists and a psychologist.

photo by Toby Weiss | Detail shot of the mod-tastic lobby of the 2-story lava rock building. In the aftermath of the lootings, this building was hit hard, but it was hopeful to note that this entrance remained intact and as sharp as ever.

Detail shot of the mod-tastic lobby of the 2-story lava rock building. In the aftermath of the lootings, this building was hit hard, but it was hopeful to note that this entrance remained intact and as sharp as ever.  My father installed the glass in these buildings and remembers the developer of the buildings as a young man who lived in Northwoods, and went bankrupt at the completion of the 3rd building. 

As I traipse around all of St. Louis with a camera, I’ve been told that police would be called if I didn’t leave, or stared at harshly through screen doors, or glared at with side eye. This is always – without exception – in White parts of town. They ask no questions, they show only anger and distrust toward a White stranger.

It was distressing and heartbreaking to see what transpired in front of these buildings during the protests and police actions. It is disturbing to see familiar surroundings as a backdrop of strife.

It was distressing and heartbreaking to see what transpired in front of these buildings during the protests and police actions. It is disturbing to see familiar surroundings as a backdrop of strife.

photo by Toby Weiss | It has been healing to watch the independent business owners in the lava rock buildings shake it off, carry on and build anew. This is Ferguson.

It has been healing to watch the independent business owners in the lava rock buildings shake it off, carry on and build anew. This is Ferguson.

photo by toby weiss | Less than 3 weeks from the killing of Michael Scott, HealSTL has been started in this lava rock storefront. St. Louis City alderman Antonio French and volunteers strive to teach leadership, register residents to vote and put Ferguson's majority into the civic and political process of their town.

Less than 3 weeks from the killing of Michael Brown, HealSTL has been started in this lava rock storefront. St. Louis City alderman Antonio French and volunteers strive to teach leadership, register residents to vote and put Ferguson’s majority into the civic and political process of their town.

Contrast that with when I go North. Someone will always walk up and ask what I’m doing – as anyone should, really – and I explain. I have countless conversations with Black residents about what and why I do. They get the sentimental angle if it’s where I’m from, and they are usually intrigued by the architectural angle: “So you like this building? Why?”

photo by toby weiss | When this stretch of road was still in Jennings, MO, this building went up in 1962 at Canfield Dr. The Canfield Apartments were constructed in 1970. It was Village Inn Pancake House until 1974 when it became Jason's Pancake House. This 2009 photo shows that subsequent owners put an ostensibly festive canopy over the mid-century modern roof overhang.

When this stretch of road was still in Jennings, MO, this building went up in 1962 at Canfield Dr. The Canfield Apartments were constructed in 1970. It was Village Inn Pancake House until 1974 when it became Jason’s Pancake House. This 2009 photo shows that subsequent owners put an ostensibly festive canopy over the mid-century modern roof overhang.

Most any architecture geek longs for that question, and a chance to exchange information. All of us long to know the worth of where we came from and where we live now, and it feels good to know it matters. Each of us is concerned about our little piece of the world we live in, and want to be comfortable in it.

photo by toby weiss | The owners of Red BBQ took over the building in 2012, and thankfully removed that awning, letting the beautiful bones of the building back to daylight. Being next door to the QT, Red took a looting hit, and it's parking lot saw a lot of trouble, but they stayed open as much as possible, even setting up pits a bit up the street to feed protesters. They are another Ferguson business who plans to stay put.

The owners of Reds BBQ took over the building in 2012, and thankfully removed that awning, letting the beautiful bones of the building back to daylight. Being next door to the QT, Red BBQ took a looting hit, and it’s parking lot saw a lot of trouble, but they stayed open as much as possible, even setting up pits a bit up the street to feed protesters. They are another Ferguson business who plans to stay put.

The stress of being constantly harassed in your world builds tension. Tension has to be released. NoCo is the logical combustion chamber, because it’s where the 21st century population vs. its government and law enforcement statistics reveal continual oppression by minority Whites over majority Blacks.

In 1965 at 9420 West Florissant and Northwinds Estate Drive was Hellrung Carpet. Behind it they were building an apartment complex. The QT went up in 1989, and as I spent 3 years documenting the demise and demolition of Northland Shopping Center, this place was an oasis of AC and beverages. Every trip NoCo includes a stop here. To see it burn was heartbreaking. To see it become a people's park makes sense. It feels odd for a gas station to have such emotional impact.

In 1965 at 9420 West Florissant and Northwinds Estate Drive was Hellrung Carpet. Behind it they were building an apartment complex. The QT went up in 1989, and as I spent 3 years documenting the demise and demolition of Northland Shopping Center, this place was an oasis of AC and beverages. Every trip to NoCo includes a stop here. 

FERGUSON HAS THE STRENGTH TO CHANGE THE TIDE

When the police continually harass only certain residents who pay taxes, start businesses, spend money at those businesses and keep the town going, those people will eventually rebel. Anyone who’s picked on can only take it for so long.

photo by Toby Weiss | QT scene on August 16, 2014 Michael Brown Peach March. To see it burn was heartbreaking. To have it become a people's park makes sense. It feels odd for a gas station to have such emotional impact. Every trip back to this area, the QT feels like a phantom limb. Considering the QT corporate model of closing old ones when a new mega-mart is built ( like further up W. Florissant) I personally don't see them rebuilding this location. Make it a memorial!

QT scene on August 16, 2014, Michael Brown Peace March. To see it burn was heartbreaking. To have it become a people’s park makes sense. It feels odd for a gas station to have such emotional impact. Every trip back to this area, the site now feels like a phantom limb. Considering the QT corporate model of closing old ones when a new mega-mart is built ( like further up W. Florissant) I personally don’t see them rebuilding this location. Make it a memorial!

The Civil War ended in 1865, but the war of White over Black never did. America repeatedly goes to the legal mat to try and resolve this conflict, but Whites find new loopholes to continue blocking Blacks, with ever diminishing benefits. It’s embarrassing for a modern, post-Civil War society to continue parroting an archaic cultural prejudice that existed before we had electricity in our homes. And it’s disgraceful to willfully set up your fellow man to fail, be it Wall Street sharks or racial profiling.

photo by Toby Weiss | This commerce stretch of W. Florissant is 50% the same, 50% changed. This car wash sign (and its building) have been exactly the same since it went up as Hydro Spray Car Wash in 1972. That sign is so great. I'm slightly embarassed to admit that during the initial unrest and angry destruction, I wondered if the sign (and the building) were intact. I scoured all news footage looking for it. And there it remains, a wonderful advertising anachronism.

This car wash sign (and its building) have been exactly the same since it went up as Hydro Spray Car Wash in 1972. This sign is charmingly retro. I’m slightly embarrassed to admit that during the initial unrest and angry destruction, I wondered if the sign (and the building) were intact. I scoured all news footage looking for it. And there it remains, a wonderful advertising anachronism.

The August 2014 murder of Michael Brown a block east of West Florissant was, finally, the wrong place at the wrong time. The 2-block stretch of West Florissant that has become intimately familiar as the background of Hands Up Don’t Shoot remains as essential today as when it was developed in the late 1950s. The businesses have changed repeatedly over the decades, but its vitality is only slightly diminished.

The image of St. Louis County Police filling the car wash bays to keep an eye on peaceful protesters disturbs me. There's far too many disturbing events and images from August 2014. You can't ever un-see it. It reveals what authorities think of certain Ferguson residents, and those who support them.

The image of St. Louis County Police filling the car wash bays to keep an eye on peaceful protesters disturbs me. There’s far too many disturbing events and images from August 2014. You can’t ever un-see it. It reveals what authorities think of certain Ferguson residents, and those who support them.

This short stretch of West Florissant Avenue remains an important revenue generator in Ferguson economics. That the businesses physically devastated by the upheaval want to rebuild and remain is a testament to that. Money talks, of course, but so does their patrons immediately coming to help clean up after looting. That’s the kind of community you want your business in.

photo by Toby Weiss | Scene from the August 16, 2014 peace march for Michael Brown, up West Florissant at Nesbit Dr. This is the residential section, with still-handsome ranch homes that began springing up in 1956. This is also where police fired tear gas into a backyard.

Scene from the August 16, 2014 peace march for Michael Brown, up West Florissant at Nesbit Dr. This is the residential section, with still-handsome ranch homes that began springing up in 1956. This is also where police fired tear gas into a backyard.

Ferguson has spent the last 10 years reimagining and rebuilding itself for the way we realistically live in the 21st century. This town has become strong enough to push back at decay that knocks at its boundary lines.

photo by Toby Weiss | During the Aug. 16th peace march, with all eyes upon Ferguson, this resident spent 4 hours mowing the tree lawns on both sides of West Florissant from Nesbit to Highmont Drives. This is Ferguson.

During the Aug. 16th peace march, with all eyes upon Ferguson, this resident spent 4 hours mowing the tree lawns on both sides of West Florissant from Nesbit to Highmont Drives. This is Ferguson.

Because all around Ferguson, once-White towns have been left to rot. It’s a precisely repeating pattern from St. Louis City in the 1950s to this very day. You can see the physical downfall of dozens of towns as the race population switches from majority-White to majority-Black. The easy, drive-by response of White St. Louis is to say Blacks just don’t care of their homes, their communities. But you cannot realistically blame things like bad roadways and decomposing sewer lines on the skin color of the people who live there. These are infrastructure issues handled by the local governments that collect their tax dollars.

photo by Toby Weiss | Right before Kappel Dr (see some cool MCM on that street) on West Florissant it turns into Dellwood, MO. At the intersection of Chambers Road, this building went up in 1961 as Schnucks supermarket. They left in 1975, and Peaches Records and Tapes took over in 1977. The building was demolished in 2007. A gas mart is in its place.

Right before Kappel Dr (see some cool MCM on that street) on West Florissant it turns into Dellwood, MO. At the intersection of Chambers Road, this building went up in 1961 as Schnucks supermarket. They left in 1975, and Peaches Records and Tapes took over in 1977. The building was demolished in 2007. A gas mart is in its place.

When, for example, the Jennings, MO street department simply stops repaving its residential streets, it’s clear that the money they’ve collected is not going toward maintaining the roads. Nor is that money going toward maintaining a police department (disbanded in 2011) or a fire department (dissolving January 2015) or bolstering its public school system. This a much bigger problem than which neighbor is not mowing their lawn or patching their roof – it’s about the town you live in falling apart around you.

photo by toby weiss| This strip mall on the northwest corner of Chambers at West Florissant went up in 1961. It's been bustling since then - vacancies fill up fast. This part of Dellwood is very hilly; many of the businesses along this stretch are tucked into the bottom of a hill. This strip mall has a great (and longstanding) brick retaining wall on the left-hand side.

This strip mall on the northwest corner of Chambers at West Florissant went up in 1961. It’s been bustling since then – vacancies fill up fast. This part of Dellwood is very hilly; many of the businesses along this stretch are tucked into the bottom of a hill. This strip mall has a great (and longstanding) brick retaining wall on the left-hand side.

The cause of this repeating pattern is touched on in, again, that book The Old Neighborhood: What We Lost in the Great Suburban Migration 1966-1999 by Ray Suarez. Wherein St. Louis criminologist Rick Rosenfeld says:

photo by Toby Weiss | Past Chambers, West Florissant is a mix of pure retail, residnetial from the 1930s and 40s that converted to mixed-use residential and commercial, and pure subdivision like Ferguson Acres, at Kroeger Dr. Oddly enough, this is in Dellwood, proper. Ferguson picks up again on the north side of this neighborhood.

Past Chambers, West Florissant is a mix of pure retail, residential from the 1930s and 40s that converted to mixed-use residential and commercial, and pure subdivision like Ferguson Acres (built 1951), at Kroeger Dr. Oddly enough, this is in Dellwood, proper. Ferguson picks up again on the north side of this neighborhood.

“What I don’t like about mobility in the United States out of cities into suburbs, and now increasingly from inner suburbs into outer suburbs, is the throwaway attitude that goes along with it. That once you move from a community, the larger metropolitan area or the larger community has no responsibility or not much for what got left behind there. What they leave behind is much worse without them. The tragedy of mobility here is not that people leave the city of St. Louis: it’s that so few resources go into the communities left behind to make them attractive to the families that are one or two cars down the line, who themselves might want to move into that neighborhood. I don’t think mobility is the issue. It’s our unwillingness to do anything about the tragic conditions that occur once people leave.”

photo by Toby Weiss | Back in Ferguson, on West Florissant before the Hudson Road intersection, this 2-story building from 1970 is indicative of how the architecture changed with a new decade. Everything near I-270 (opened in 1964) was building up too fast to invest in thoughtful architecture. This was the last of a certain breed, while heading toward the commercial suburban brick boxes that we've come to know and ignore all too well.

Back in Ferguson, on West Florissant before the Hudson Road intersection, this 2-story building from 1970 is indicative of how the architecture changed with a new decade. Everything near I-270 (opened in 1964) was building up too fast to invest in thoughtful architecture. This was the last of a certain breed, while heading toward the commercial suburban brick boxes that we’ve come to know and ignore all too well.

The curious part is that St. Louis City is in tangible turn-around from the urban decay. The City is becoming a more desirable place to live than its bordering North County townships, where the scorched earth policies are repeating despite decades of lessons on how not to do it. In a nutshell: Don’t let the Whites who abandoned it continue to control it, because history shows they will run it into the ground. Those who actually live there need to steer policy and set the new rules.

Photo by Toby Weiss | From 1966, the former IGA Supermarket at West Florissant and Hudson Rd. It is Dellwood on this east side. It is also the place where my mother bought my Bobby Sherman and partridge Family records on a rack in the frozen food section. On the west side of Hudson was the now-demolished Northland Day Nursery School.

From 1966, the former IGA Supermarket at West Florissant and Hudson Rd. It is Dellwood on this east side. It is also the place where my mother bought my Bobby Sherman and Partridge Family records on a rack in the frozen food section. Head west on Hudson, in Ferguson, past the former horse ranch on the northwest corner to what was Northland Day Nursery School.

And here’s where Ferguson matters. It has made tangible progress in keeping North County scorched earth creeping crud at bay. The citizens of Ferguson get this, and are the ones investing in new growth. But 6 – 11 shots later, everyone learns that the Ferguson police and government appear to be focused only on the racial aspects of the city, putting their energies into an imbalance that ignores Missouri law and several Constitutional amendments. It’s a myopic view dangerously at odds with its residents, and has caused real harm.

Photo by Toby Weiss | Right before hitting I-270, on the east side of W. Florissant (and still in Ferguson) is the Black Oak subdivision, developed from 1957 - 1960. It is the last of single-family residential on West Florissant. Parts of this neighborhood were threatened with demolition for the new QT a block south. Black Oak residents got schooling on how landlocked, revenue-starved townships are more than willing to boot people for commerce. They won this battle but know another war or two is ahead.

Right before hitting I-270, on the east side of W. Florissant (and still in Ferguson) is the Black Oak subdivision, developed from 1957 – 1960. It is the last of single-family residential on West Florissant. Parts of this neighborhood were threatened with demolition for the new QT a block south. Black Oak residents got schooling on how landlocked, revenue-starved townships are more than willing to boot people for commerce. They won this battle but know another war or two is ahead.

America has a long history of not tolerating those that tread upon them, and as of August 2014, Ferguson, Missouri has upheld that tradition. Because this town has pushed back against the usual markers of built environment and economic decay, it also has the strength to push back against authority that seeks to undermine it.

Ventur photo by Toby Weiss | Once you cross I-270, you're in Florissant, where the mighty avenue will come to an end at New Halls Ferry Road. At West Florissant & Dunn Rd. was - above left - the former 270 Drive-In. Today it is Clocktower Place. Above right, Kmart has taken over the former Venture department store (opened 1971). This is also the beginning of faceless retail boxes, built quickly to try and keep pace with folks rushing every further north, until they ran out of places to leap frog to. That's when they lept over the river into St. Charles County, leaving North St. Louis County behind.

Once you cross I-270, you’re in Florissant, where the mighty avenue comes to an end at New Halls Ferry Road. At West Florissant & Dunn Rd. was the former 270 Drive-In. Today it is Clocktower Place. Kmart has taken over the former Venture department store (opened 1971). This is also the beginning of faceless retail Afshari boxes, built quickly to try and keep pace with folks rushing ever further north, until they ran out of places to leap frog to. That’s when they lept over the river into St. Charles County, leaving North St. Louis County behind.

Ferguson has become a line in the sand of not allowing the same old destructive policies to take their city down. It’s a decisive moment where the new majority can take control and protect what’s good about their town. The energy that refuses to let Michael Brown’s death become another statistic has already strengthened Ferguson. There’s also a sense that Ferguson can teach us to be a more civilized and powerful St. Louis – City AND County, together. It’s one of the reasons these signs are all over Metro St. Louis.

These signs are all across Metro St. Louis. Thank you to those who understand we're all in it together, and if you've ever told others you're "from St. Louis," that includes you, too.

These signs are all across Metro St. Louis. Thank you to those who understand we’re all in it together, and if you’ve ever told others you’re “from St. Louis,” that includes you, too.